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| Romeo and Juliet Date Other People by Jon Jory |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy starting from Shakespeare and straying a good way. Simple to stage. Written in American English. |
| Synopsis | Romeo's wooing of Juliet fails when both run out of poetry, so they agree to take a break and see other people. Romeo's dates with Lady Macbeth, Cleopatra, and the Wicked Witch of the West don't go well, nor do Juliet's with Paris, Iago and Oberon. Maybe the star-cross'd lovers are the only ones right for each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ronnie Tumbler Gets Her Goat by Rajapillai Pillai |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | There is a set of lyrics built in which can either be put to the tune of 'Oh Susanna' or recited as a poem, with optional guitar accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy show performed by adults for children with various suggested settings. |
| Synopsis | The tale of a wild west feud between Bullets McGraw and Otis Mills, with some educational gems thrown in. As the reasons for the feud start to become clear, Ronnie Tumbler and Rocky the talking goat do their best to bring the two sides together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Room for Another by Gill Medway |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A well-written 65-minute ensemble drama on a single set, with stories developing naturally for all the characters. Suited to groups with a range of playing ages, with good roles for all. |
| Synopsis | It's November 1940 and Hitler's bombs are raining down on London. Elsie and her daughter Carrie have their favourite night-time spot on a platform in the Underground - and on two successive nights they welcome a motley group of strangers to join them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Room With A Clue by Matthew Lynch |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set (clinical reception area). Contains mild swearing. |
| Synopsis | This waiting room is a busy place. Eddie has arrived with a damaged arm and is impatient to get the receptionist to get him processed. But then there are the other arrivals, with a range of experiences... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sassenach by Ronnie Dykstra |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
| Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Secret of Buccaneer Bay by Rajapillai Pillai |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | The producer's script suggests an extract from a well-known song to be sung at one point in the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy, to be performed by adults to children, with various simple settings. |
| Synopsis | On the eve of a royal wedding, the groom is taken by pirates. It is up to Princess Odelia and her loyal servants, with help from the audience, to rescue him. But there is more to this kidnapping than first meets the eye, as an ancient legend is about to be fulfilled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sent Back Standing by Jenny Gilbert |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. An uneven distrubution of roles, with the play dominated with the director (though, unusually in these circumstances, the director is on stage). |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set (pretty much a bare stage). |
| Synopsis | A director struggles to keep her sanity through the stresses of a Tech rehearsal in a venue that's being rebuilt around the company. She's also haunted by her husband's affair, and trying to work through her private grief in a very public place. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Shadows Of Antiquity by Adora Pingstock |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 12. No chorus. Opportunities for doubling and pre-recording parts. |
| Run Time | Around 23 minutes. [Estimated!] |
| Music | None. |
| Style | A one act gothic horror tale with a single setting. |
| Synopsis | Madame Carlotta is the custodian of the shop in which each of the items on sale has a gruesome story attached to it. A young couple sheltering from a severe storm find refuge in the shop and are enthralled as Madame Carlotta's tales come to life, little knowing that they will be the subject of the next tale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shreds - The Unravelling of Charles Dickens by Phil Porter (music Mary Harrison Hewett) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 32. Chorus. Two principals (Dickens and George Dolby), plus many other characters, real and from Dickens' writing, who might be played by a number of on-stage 'voices'. |
| Run Time | Around 48 minutes. [Estimated!] (The original production ran for one hour.) |
| Music | Keyboard scores for 10 pieces of background music are provided with the producer's copy of the script. |
| Style | Drama in a single simple set, designed to be accompanied by projected images (with the option for an on-stage pianist providing mood music). |
| Synopsis | A dramatization of the circumstances that led Charles Dickens to wild success reading extracts from his novels on stage, and the terrible toll it took on him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** CD with 40 images, 18 sound effects, 3 video clips and 10 pieces of musical accompaniment for 'Shreds - The Unravelling of Charles Dickens' by Phil Porter (Music by Mary Harrison Hewett)
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| Click here to read the script or Click here for more details. |
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| Sleeping With Beauty by Stuart Ardern (devised by YT2) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 23. Chorus. A small number of roles are written to be doubled, but otherwise the casting is very flexible. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Drama for the senior echelons of a youth theatre company. Multiple settings but done with just a single piece of furniture - a bed. Contains disturbing themes. |
| Synopsis | Rebelling against her secure upbringing, Mel suffers a major trauma. How will this affect her daughter's life?
A dark exploration of destiny as fairytale collides with modern life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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