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Outside the Box by JPS Yates
Performance by Tarrystone Players won the John Rigg Award for Best Comedy and the South of England Building Society Award for Best Stage Presentation at the Maidenhead Drama Festival 2011. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Six on--stage actors plus three offstage voices appearing briefly at the start (so could be recordings). |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A play for adults, satirising office life - where the office workers are nursery toys. Single set. Written in one act, but quite long. A cracking pace might get it down to one-act-play festival length. Contains mild swearing. |
| Synopsis | The nursery toys are mostly happy with their lot in life - only Ragdoll feels unwanted, so it doesn't surprise her when bureaucratic Fairy Crackernuts arrives and announces they're having 'a re-shuffle'. What does surprise her is that Teddy is the who's been made redundant... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Perseus - A Hero's Headhunt by Nicholas Richards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 25. No chorus. Whilst there are nominally 25 roles, the piece is structured for flexibility - and could be played as a series of linked sketches with different actors playing the recurring characters. |
| Run Time | Around 70 minutes. [Estimated!] Add another 10 minutes for the optional songs. |
| Music | Piano/vocal scores for two optional songs are provided with the Producer's Copy of the script. |
| Style | Sword and sandals myth brought to the stage as a comedy play (or series of sketches) for schools (and anyone else), with a couple of optional songs. |
| Synopsis | The story of Perseus is told with a mixture of narration and brief, dramatised scenes. The narration is delivered by the gods Athene and Hermes - who also take part in several scenes (because they want the hero to get a head.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| Click here to read the script or Click here for more details. |
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A Pig Tale by Kevin Jannetts
Production by Loch Duich Primary School won Adjudicator's special award. South West Ross District Youth SCDA Festival 2016. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus is the sort that rushes on to perform songs and dances in various guises! Most of the roles are gender-neutral, although one of the pigs is called Maureen and the wolf is called Alan, both of which tend to be specific. |
| Run Time | Around 40 minutes. [Estimated!] (This allows 20 minutes for 11 songs/dances.) |
| Music | The Producer's Copy of the script contains suggestions for 11 songs/dances Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act family comedy show with music. A fairytale send-up. Contains Scottish accents! |
| Synopsis | The story of the Three Pigs gets a revamp in this Scots story, allowing a couple of Narrators to bring the story to life with anthropomorphic pigs struggling to find a story they can take part in to keep their deal with a Fairy Solicitor. Add in a Big Bad Wolf called Alan, and it all works out fine in the end. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Resurrectionist by Robert Hunter Allan
Winner of the Edinburgh SCDA One Act Festival competition.Awarded the Edith Frobes Trophy (Edin. winner), The Eric Bennett Trophy for highest mark in production, the Bobby Watt Cup for stage presentation and the Eastern Division trophy - Jin Brown Trophy |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dark comedy with four simple sets. |
| Synopsis | Mary Tyrell, the brains behind the bodysnatching activities of Burke and Hare in 19th Century Edinburgh, finds herself facing execution but manages to ensure that Burke and Hare take the blame. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ronnie Tumbler Gets Her Goat by Rajapillai Pillai |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | There is a set of lyrics built in which can either be put to the tune of 'Oh Susanna' or recited as a poem, with optional guitar accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy show performed by adults for children with various suggested settings. |
| Synopsis | The tale of a wild west feud between Bullets McGraw and Otis Mills, with some educational gems thrown in. As the reasons for the feud start to become clear, Ronnie Tumbler and Rocky the talking goat do their best to bring the two sides together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Room for Another by Gill Medway |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A well-written 65-minute ensemble drama on a single set, with stories developing naturally for all the characters. Suited to groups with a range of playing ages, with good roles for all. |
| Synopsis | It's November 1940 and Hitler's bombs are raining down on London. Elsie and her daughter Carrie have their favourite night-time spot on a platform in the Underground - and on two successive nights they welcome a motley group of strangers to join them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Room With A Clue by Matthew Lynch |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set (clinical reception area). Contains mild swearing. |
| Synopsis | This waiting room is a busy place. Eddie has arrived with a damaged arm and is impatient to get the receptionist to get him processed. But then there are the other arrivals, with a range of experiences... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sassenach by Ronnie Dykstra |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
| Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Secret of Buccaneer Bay by Rajapillai Pillai |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | The producer's script suggests an extract from a well-known song to be sung at one point in the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy, to be performed by adults to children, with various simple settings. |
| Synopsis | On the eve of a royal wedding, the groom is taken by pirates. It is up to Princess Odelia and her loyal servants, with help from the audience, to rescue him. But there is more to this kidnapping than first meets the eye, as an ancient legend is about to be fulfilled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sent Back Standing by Jenny Gilbert |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. An uneven distrubution of roles, with the play dominated with the director (though, unusually in these circumstances, the director is on stage). |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set (pretty much a bare stage). |
| Synopsis | A director struggles to keep her sanity through the stresses of a Tech rehearsal in a venue that's being rebuilt around the company. She's also haunted by her husband's affair, and trying to work through her private grief in a very public place. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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