|
| Right Move by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 14. No chorus. Four parts are offstage voices. Gill and Jack are on stage for most of the show, but there are never more than an additional 1M, 1F with them, hence it could be done by 4, though this might be a little frantic! |
| Run Time | Around 123 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy in three acts. |
| Synopsis | Gill and Jack are adjusting to their new home, but with most of their furniture still undelivered, it's not easy. And the phone doesn't work. And their neighbours are strange. Not to mention the dead body in the cellar... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Romeo and Juliet - Sped Up! by Hannah Thomas
Best Seller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 16. Chorus. Most of the speaking is done by the two narrators. There are six other speaking parts (some of whom have as much as a word) and other named roles played by people stepping out of the chorus (usually to be brushed-off or stabbed). |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute reduction of Romeo and Juliet. No set requirements, just a few props, love and death. |
| Synopsis | Shakespeare's tale of young love and tragedy given short shrift in this heavily condensed version. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Romeo and Juliet Date Other People by Jon Jory |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy starting from Shakespeare and straying a good way. Simple to stage. Written in American English. |
| Synopsis | Romeo's wooing of Juliet fails when both run out of poetry, so they agree to take a break and see other people. Romeo's dates with Lady Macbeth, Cleopatra, and the Wicked Witch of the West don't go well, nor do Juliet's with Paris, Iago and Oberon. Maybe the star-cross'd lovers are the only ones right for each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Ronnie Tumbler Gets Her Goat by Rajapillai Pillai |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | There is a set of lyrics built in which can either be put to the tune of 'Oh Susanna' or recited as a poem, with optional guitar accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act comedy show performed by adults for children with various suggested settings. |
| Synopsis | The tale of a wild west feud between Bullets McGraw and Otis Mills, with some educational gems thrown in. As the reasons for the feud start to become clear, Ronnie Tumbler and Rocky the talking goat do their best to bring the two sides together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Room for Another by Gill Medway |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A well-written 65-minute ensemble drama on a single set, with stories developing naturally for all the characters. Suited to groups with a range of playing ages, with good roles for all. |
| Synopsis | It's November 1940 and Hitler's bombs are raining down on London. Elsie and her daughter Carrie have their favourite night-time spot on a platform in the Underground - and on two successive nights they welcome a motley group of strangers to join them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Room With A Clue by Matthew Lynch |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set (clinical reception area). Contains mild swearing. |
| Synopsis | This waiting room is a busy place. Eddie has arrived with a damaged arm and is impatient to get the receptionist to get him processed. But then there are the other arrivals, with a range of experiences... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Sacrifice by Rebecca Preen |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally powerful fifteen minute drama that manages to examine the effect of trauma on a whole family without stepping outside the hospital room of the patient. |
| Synopsis | Beth is in a coma, and her family wait by her bedside, but as time passes it becomes clear Beth is not going to wake up. Her Mum is the most reluctant to move on, but even she can't fool herself any longer. But they can't hear what's happening inside Beth's head... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Saint Nicholas and the Three Purses of Gold by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 9. Chorus. Technically, there are no characters - that is to say, it could be sung by a soloist. In practice, the intention is for the singing to be shared between several narrators and a chorus whilst the story is mimed by actors. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | The Producer's Copy of the script comes with a complete piano and vocal score. |
| Style | A sung story. (Technically, that makes it a Cantata, but don't let the fancy name put you off!) Does not require any set or props, but props could be used as part of a mime of the story. |
| Synopsis | Where does our modern Santa Claus come from? He's descended from legends of Saint Nicholas, the fourth century Bishop of Myra - legends such as this one! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
|
| Click here to read the script or Click here for more details. |
|
|
| Sassenach by Ronnie Dykstra |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
| Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Saving Dusty by Will Butters |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. Three of the characters are presenters at a conference who could be doubled by actors in other roles or could be done as pre-recorded voices. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play. It's set in a brothel, so might well contain adult themes (and also relatively mild swearing). |
| Synopsis | Dusty works in the Fallen Angels massage parlour to raise money in order that she might be re united with her mother. Unbeknown to her, a plan is hatched by the others to help her. A voluntary hostage helps to save the day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|