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| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Everybody's Talking by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 47. No chorus. Some scripts require offstage voices which could be recorded. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of comedy sketches, with a variety of simple sets. |
| Synopsis | A collection of confrontations, revelations, and scenes of a gossipy nature. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Fall and Rise of Gordon Grimshaw by Sandy Truman |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | A consistently funny farce with a variety of storylines that all come together satisfyingly. |
| Synopsis | Gordon fears that downsizing to Finchurch-on-Sea is the end of his life, with no job, no bowls club, and wife Marion putting him on a strict diet. But he hasn't reckoned on their bizarre new neighbours, kamikaze seagulls, brushes with the law, half-marathons, and getting reeled into amateur dramatics! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Finding Goddard by Deborah Hugill
Performance by Ury Players won the Gallery Trophy in the Aberdeen District of the SCDA one-act play festival 2023. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 16. No chorus. 11 minor roles can be easily shared by two actors. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a variety of locations but minimal set requirements. |
| Synopsis | When it turns out a modest, unassuming man in Helions Bumpstead is really God, everyone has an angle and everyone wants in. But soon enough, people affected by 'Acts of God' want their day in court. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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First Drop of Rain by James Brosnahan
Screenplay version placed in the Semifinals (top 1%) of the Austin Film Festival. |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. Cast of 4 women, 2 12-year-old girls (one with doubling) and 4 men. |
| Run Time | Around 125 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length historical drama. An entertaining exploration of the characters and the times.
(First published 2021, revised edition published 2024.) |
| Synopsis | When an aspiring author sets out to write her first novel, the gendered prejudices of 18th Century London come for her, leaving her to decide between marrying her suitor in surrender or being as brave as the female protagonist she has written. Based on the true story of Frances Burney. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Flapjacks by Karen Doling |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play. Single cafe set. Contains mild swearing. |
| Synopsis | Maddie and Claire are on the verge of opening their new cafe but the builders are still working, they're not sure about making savoury food, and they only have a couple of days before the Mayor comes to cut the ribbon. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fleas Can Bite by George Freek |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Dry comedy, on the boundary between a long one-act play, and a short full-length one. (It's in two acts.) |
| Synopsis | A saga of unrequited love, insanity and blackmail, populated by a strange collection of patients, professionals and friends. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Food Rationing Auction by TLC Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. Chorus. As written, there is a non-speaking (though possibly giggling and nudging) chorus of ladies (who, in the absence of sufficient ladies, might be played by men in drag). |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch from the 'Skitskrieg' Second-World-War revue show by TLC Creative. (This sketch written by David Lovesy and Brian Two.) |
| Synopsis | War time rationing leads to an unusual auction! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Fools Call It Fate by Jessica McHugh
Winner of the Mobtown Playwrights Group (Baltimore MD) original playwriting competition, 2010. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 10. No chorus. Three of the characters are intended to double as 'No-one'. Whilst there is no formal chorus, there are options for additional customers in the bar and restaurant scenes. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in which threads of tangled lives are interwoven with scenes in a form of purgatory. Four locations, but can be done very simply. Contains adult themes and offensive language (if that's what offends you). |
| Synopsis | A story of sex, coincidence, and an electronic cigarette.
A group of characters interweave as their stories unfold - Sophie is sleeping with Gabby's husband, he's the Health Inspector who's shut down Tara's bakery, and Tara just met Ash in the bar run by Danny, who's Sophie's brother... and the man who drugged and raped Tara...
An intriguing, challenging and very well constructed play with lots of depth to the characters.
Set in Baltimore, Maryland, but could easily be transposed to another country! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For Your Tomorrow by Peter Ayre |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
| Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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