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| Last Séance by Herb Hasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 85 minutes. [Estimated!] |
| Music | None. |
| Style | A slick farce with a single domestic set. (Nominally in the USA, but could work in any location.) Contains mild swearing. |
| Synopsis | A family-operated séance scam is laid out before us. Attempts to conceal the swindle lead to a number of surprising twists amid frenetic action. The final startling twist of the play reveals to us - and the family - why this must be the last séance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Life Goes On by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 44. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 19 comedy sketches (ranging in duration from 4 minutes to 9 minutes). Few set requirements. There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, love, work and cream cakes.
All of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Loft by James Brosnahan |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play, with plenty of challenges for the actors! (Contains mild swearing.) |
| Synopsis | An apartment building (the Loft of the title) is scheduled for demolition, and shares a few of the stories he has witnessed before the button is pressed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matchmakers by Robert M. Barr |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. A range of ages and plenty of opportunity for characterisation. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play set in the Jewish community in 19th century Eastern Europe. Clever and funny, with a plot that twists and turns. Multiple locations, but easy to realise without elaborate scenery. |
| Synopsis | Reuven, the son of a Rabbi, is studying to be a Rabbi too. He needs a wife to support him, but also to prevent him being drafted into the Czar's army. Unfortunately he and his family have to move to another village where their matchmaker runs into another Matchmaker. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Never Mind the Bonnets by Lou Treleaven |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 14. No chorus. Fourteen characters, playable by a cast of 10 (plus a brief cameo from the stage crew, playing a conga of servants). |
| Run Time | Around 88 minutes. [Estimated!] |
| Music | The Producer's Copy of the script includes lyrics to three (mercifully short) songs from Lord Meddlesome (who fancies himself as a shantyman). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Engagingly comic parody of Jane Austen's 19th century romances. Nominally three locations, but these are all interiors and can be created with furniture and stage dressing. |
| Synopsis | In the Regency Era, a family of young women and their mother are forced to accept a small property on a relative's estate when the man of the family dies. Naturally, they must be thrown into the path of suitable husbands ... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Perfect Duck by Paul Gisby |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Two of the characters have brief non-speaking roles. All characters are adults. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full length drama with a lot of comedy. Mainly one set, with an episode in another location (which could be created by lighting and props). A couple of unusual props! Contains swearing and mild adult themes. |
| Synopsis | JJ and Bobby are trying to build up their hotel business. She's the New Age consultant, running life-changing courses with the help of Sam the beauty therapist. He's the chef, preparing the gourmet food and trying to breed the perfect duck. The trouble is, something keeps stealing the ducks, and the hotel guests are in for more than they bargained for - with the possible exception of Ivan, who is in danger of leaving with less than he brought... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Perseus - A Hero's Headhunt by Nicholas Richards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 25. No chorus. Whilst there are nominally 25 roles, the piece is structured for flexibility - and could be played as a series of linked sketches with different actors playing the recurring characters. |
| Run Time | Around 70 minutes. [Estimated!] Add another 10 minutes for the optional songs. |
| Music | Piano/vocal scores for two optional songs are provided with the Producer's Copy of the script. |
| Style | Sword and sandals myth brought to the stage as a comedy play (or series of sketches) for schools (and anyone else), with a couple of optional songs. |
| Synopsis | The story of Perseus is told with a mixture of narration and brief, dramatised scenes. The narration is delivered by the gods Athene and Hermes - who also take part in several scenes (because they want the hero to get a head.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| Click here to read the script or Click here for more details. |
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The Pilgrim's Progress by Christopher Morgan
Best Seller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 54. No chorus. Whilst there are fifty-four named roles, with a minimum of around ten, the author believes the optimal cast to be around twenty-two. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Allegorical play, with minimal set requirements and reasonably simple props. |
| Synopsis | A stage adaptation of John Bunyan's allegorical story ('The Pilgrim's Progress from This World to That Which Is to Come', written in 1678) - the journey of Christian, a pilgrim, through the trials of Earth to the destination of Heaven. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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