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The Honorable Knight by Stewart Boston |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. Nothing remarkable in the characters (apart from the dragon, obviously). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A light comedy, playing on the traditions of the knightly stories. Split-stage set, with one permanent location and the other half of the stage doubling for two other locations. |
Synopsis | Before leaving his castle for the last time, Sir Gawain of the renowned Round Table reluctantly reveals a tale of his exploits that shows him in a less than favourable light. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Hound Of The Baskervilles by Richard Coleman |
Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one act rhyming humorous play, freely interpreting the original story. |
Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus. Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Hunting Death by Nicholas Richards |
Roles | Minimum Male roles = 5. Minimum Female roles = 0. Minimum total with doubling = 5. Minimum total without doubling = 8. Chorus. The narrator's role could be split amongst several actors. There are opening and closing choruses which could be performed by the ensemble or by additional actors/singers. |
Run Time | Around 25 minutes. [Estimated!] (The estimated run time assumes the music; without music it could be performed in 12 minutes.) |
Music | The music is designed to run continuously, so there is one 25-minute score. (It is divided into sections for rehearsal purposes.) |
Style | A short musical play, retelling the Pardoner's Tale from the Canterbury Tales. (Could also be performed as a verse play without the music.) |
Synopsis | This drama recounts the story of three young men who bestir themselves from their wine-sodden lives to hunt and kill Death, but instead fall victim to him through greed and treachery. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** CD with full backing track (25 minutes) and full sung demo for Hunting Death by Nicholas Richards.
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Click here to read the script or Click here for more details. |
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I Remember When by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single camp-site setting. |
Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Inspector Quaker of the Yard by Peter Stallard |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play - a spoof detective story. |
Synopsis | Cecil has gone missing (from his position on the mantlepiece) and Lady Boulder has to find him - and his urn. The stage is set for Inspector Quaker of the Yard in The Return of the Cecil Vessel. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Inspector Snow and the Elf-Inflicted Wounds by Skip Chalker |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 18. No chorus. |
Run Time | Around 41 minutes. [Estimated!] |
Music | None. |
Style | A one-act Christmas story for children with various simple settings. US English. |
Synopsis | Inspector Snow and Sergeant Merryman are back on the case, hunting the killer of not one, but two Mall Santas. Before the killer can strike for a superstitiously crucial third time, Snow and Merryman must catch them! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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It's All Greek by Tony Domaille |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 12. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | Collection of short comedy plays featuring Ancient Greek heroes and god. A set of riffs on myths. |
Synopsis | Five funny plays, each with a cast of two or three, Locations include Troy, Mount Olympus, the skies and a couple of unexpected Ancient Greek offices. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Lambton Worm by Timothy Hallett and Nicholas Richards |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
Run Time | Around 20 minutes. [Estimated!] |
Music | A 40-page musical score is included with the Producer's Copy of the script. |
Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
Synopsis | The tale of the wild worm of Wearside and its grisly end. It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.) ** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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Click here to read the script or Click here for more details. |
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Language Lessons (II) Asking the Time by Nicholas Richards |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
Music | None. |
Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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