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Shivers by Peter Harrison |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. |
Run Time | Around 105 minutes. [Estimated!] |
Music | None. |
Style | Trilogy of one-act plays with a supernatural theme. Two interior sets plus the interior of an elevator cabin. A mixture of comedy and ghostly melodrama. |
Synopsis | The three scripts - Falling Apart, All Hallows Eve and Knock Knock, Who's There? - are all available separately. Whilst there is no set order to the plays, Falling Apart - with a couple trapped in a lift - might be performed front-of-curtain between the other two plays, which each require an interior setting with a practical window. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Skitskrieg by TLC Creative |
Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 51. Chorus. Whilst the minimum cast 'as written' is 5 male and 4 female, the humour would be suitable for actors playing across gender, so, in theory, most of it could be done by a cast of 4, with just The Land Army sketch requiring 5M, 2F. |
Run Time | Around 60 minutes. [Estimated!] Period songs could be added to extend the run time. |
Music | The script contains the lyrics to one song (to the tune of 12 days of Christmas) and suggestions for other songs which might be appropriate for the show. (Note that additional songs will add to the run-time.) Lazy Bee Scripts does not supply any sheet music with this script. |
Style | Collection of sketches. Minimal requirements for set and props. |
Synopsis | Fifteen sketches with Second World War themes (although with a very modern perspective, including, amongst other things, pastiches of TV shows). Topics include rationing, air-raids, code breaking and various perspectives on the trials of military life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Standing Room Only by James Harvey |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. The characters are written as 4M, 3F, a lot more flexibility is possible! |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten minute play, single set (the minimum required to indicate a waiting room). Contains mild swearing. |
Synopsis | A group of people are being kept waiting - in hell. How long are they going to have to hang around for their share of eternal damnation? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Stardust by 10 x 10 Writers |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. |
Run Time | Around 58 minutes. [Estimated!] |
Music | None. |
Style | Six short plays inspired by the life and work of David Bowie. |
Synopsis | Six short plays, a mixture of comedy and drama, inspired by the life and work of David Bowie. All were winners of the October 2016 Chesil Theatre New Writing Festival. The plays are available individually, but are provided here as a collection at a discount. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Suite 145 by Paul Bovino |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 12. No chorus. There is no overlap between the characters in the four plays - which does not exclude the possibility that they are played by the same actors. |
Run Time | Around 130 minutes. [Estimated!] |
Music | None. |
Style | Collection of 4 one-act plays, each with a single (New York apartment) setting. The plays function independently, so could be performed separately or together. Contains swearing (but only as an incidental attribute of character, situation and comedy). |
Synopsis | Four plays, linked by the setting - Suite 145 - a New York apartment address (although it is not necessarily the same building!) The plays take place in different eras, with different occupants and certainly different tastes in decor! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Talky Bits by TLC Creative |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed! |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain. |
Synopsis | Ten comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves. Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Territorial Actors by tlc Creative |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Three Canterbury Tales by Richard James |
Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act verse play. No set requirements, few (deliberately rough-and-ready) props. |
Synopsis | Three of Chaucer's Canterbury Tales, told in verse but adapted for the stage. The Miller, The Pardoner and the Wife of Bath are brought to life with the narration of Chaucer and the help of three other pilgrims (the Friar, the Summoner and the Nun). |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Up, Up and Away by John Peel |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Wait... What? by Ted Evans |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing |
Synopsis | An Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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