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The Resurrectionist by Robert Hunter Allan
Winner of the Edinburgh SCDA One Act Festival competition.Awarded the Edith Frobes Trophy (Edin. winner), The Eric Bennett Trophy for highest mark in production, the Bobby Watt Cup for stage presentation and the Eastern Division trophy - Jin Brown Trophy |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dark comedy with four simple sets. |
| Synopsis | Mary Tyrell, the brains behind the bodysnatching activities of Burke and Hare in 19th Century Edinburgh, finds herself facing execution but manages to ensure that Burke and Hare take the blame. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Right Move by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 14. No chorus. Four parts are offstage voices. Gill and Jack are on stage for most of the show, but there are never more than an additional 1M, 1F with them, hence it could be done by 4, though this might be a little frantic! |
| Run Time | Around 123 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy in three acts. |
| Synopsis | Gill and Jack are adjusting to their new home, but with most of their furniture still undelivered, it's not easy. And the phone doesn't work. And their neighbours are strange. Not to mention the dead body in the cellar... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sassenach by Ronnie Dykstra |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
| Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Senior Speed Date by Jeff Bray |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. One character is voice-only and can be voiced live or pre-recorded. |
| Run Time | Around 39 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (pub room) setting. |
| Synopsis | Recently separated from her husband, Joan has been persuaded by her daughter to attend a speed dating evening. She is confronted by a procession of highly unsuitable candidates. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shivers by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Trilogy of one-act plays with a supernatural theme. Two interior sets plus the interior of an elevator cabin. A mixture of comedy and ghostly melodrama. |
| Synopsis | The three scripts - Falling Apart, All Hallows Eve and Knock Knock, Who's There? - are all available separately.
Whilst there is no set order to the plays, Falling Apart - with a couple trapped in a lift - might be performed front-of-curtain between the other two plays, which each require an interior setting with a practical window. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Skitskrieg by TLC Creative |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 51. Chorus. Whilst the minimum cast 'as written' is 5 male and 4 female, the humour would be suitable for actors playing across gender, so, in theory, most of it could be done by a cast of 4, with just The Land Army sketch requiring 5M, 2F. |
| Run Time | Around 60 minutes. [Estimated!] Period songs could be added to extend the run time. |
| Music | The script contains the lyrics to one song (to the tune of 12 days of Christmas) and suggestions for other songs which might be appropriate for the show. (Note that additional songs will add to the run-time.) Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Collection of sketches. Minimal requirements for set and props. |
| Synopsis | Fifteen sketches with Second World War themes (although with a very modern perspective, including, amongst other things, pastiches of TV shows). Topics include rationing, air-raids, code breaking and various perspectives on the trials of military life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Standing Room Only by James Harvey |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. The characters are written as 4M, 3F, a lot more flexibility is possible! |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play, single set (the minimum required to indicate a waiting room). Contains mild swearing. |
| Synopsis | A group of people are being kept waiting - in hell. How long are they going to have to hang around for their share of eternal damnation? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stardust by 10 x 10 Writers |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | Six short plays inspired by the life and work of David Bowie. |
| Synopsis | Six short plays, a mixture of comedy and drama, inspired by the life and work of David Bowie. All were winners of the October 2016 Chesil Theatre New Writing Festival. The plays are available individually, but are provided here as a collection at a discount. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Suite 145 by Paul Bovino |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 12. No chorus. There is no overlap between the characters in the four plays - which does not exclude the possibility that they are played by the same actors. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 4 one-act plays, each with a single (New York apartment) setting. The plays function independently, so could be performed separately or together. Contains swearing (but only as an incidental attribute of character, situation and comedy). |
| Synopsis | Four plays, linked by the setting - Suite 145 - a New York apartment address (although it is not necessarily the same building!) The plays take place in different eras, with different occupants and certainly different tastes in decor! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Talky Bits by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain. |
| Synopsis | Ten comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves.
Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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