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| Territorial Actors by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
| Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tete-A-Tete by Paul Bovino |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. Two characters (1M, 1F) are offstage voices only and can be doubled. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (living room) setting. |
| Synopsis | Much to his reluctance, Danny’s friends arrange a blind date for him. The date turns out to be his ex-wife Katrina. She brings shocking news for Danny, who has his own shock in store for her. The unseen neighbours become a catalyst for a re-union. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's One in Every Show by George Douglas Lee |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. One of the characters is a young boy, the rest are adults (mainly over-the-top thespians). |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy, set around a struggling (American) theatre company. Contains very minor swearing. |
| Synopsis | For years Sheldon has held together his troupe of actors with the promise of a show, but now his accountant has signed up a producer, who's found a backer and they're going to have to perform at last. But the script is bad - worse than the actors themselves - and they have the Sponsor's idiot son involved too... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Throw of the Dice by Ben Alexander |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 8. No chorus. One male character is voice-only and more suited to being pre-recorded than performed live. The hospital staff (surgeon, nurse and duty manager) are written female but could be either. |
| Run Time | Around 104 minutes. [Estimated!] |
| Music | 7 songs are suggested, to be played (but not performed by cast) at specified points in the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full-length thriller on a single (hospital waiting room) set. |
| Synopsis | Henry, whose father is close to death, and Judy, whose husband has been seriously injured, meet for the first time one evening in a waiting room of a private hospital. During the course of a long night, they get to know each other sufficiently for Henry to be able to help Judy when her husband's two brothers arrive the following morning to intimidate her into signing away her rights to her husband's wealth. However, Henry has a hidden agenda. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tourney by Paul Gisby |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. All the characters are adults. There are two non-speaking males (who dance in mediaeval armour!) who could be doubled by two other characters. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy drama (visual, physical, verbal). Simple sets - two basic locations. Simple props (if your idea of simple is swords and battleaxes). Fun for the wardrobe mistress, including armour! |
| Synopsis | It's a Mediaeval Re-enactment Society, so the constitution is based on feudalism. King Duncan is about to abdicate (to nurse his hernia) and has the right to appoint a successor. The choice comes down to Sir Roger, who has a pedantic obsession with the detail of mediaeval combat and Sir Eric, who wants to be Errol Flynn playing the Black Prince. And, with the connivance of Queen Veronica, it comes down to trial by combat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Train Ride Away by Frank Gibbons
Performance by Aiken High won The Garcia Theater Project, North Augusta 2010. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. Chorus. Characters are mainly adults with one young child. Could all be played by children. The chorus is optional, but there are several scenes where crowds would create atmosphere. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Intended to have figurative sets (possibly just lighting transitions), rather than realistic depictions of the locations. Props could be real or indicated by mime. Includes mild swearing. |
| Synopsis | The story of a family of Hungarian Jews being transported to Auschwitz-Birkenau in the holocaust of 1944. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Trumpet Major by Thomas Hardy (adapted Peter John Cooper) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 8. No chorus. The piece is interspersed with the reminiscences of the old Anne Garland. (Her role coulde be doubled by her younger self.) |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length period drama. The scenes flow continuously, so intended to be performed with stage areas and levels rather than a formal set. |
| Synopsis | Thomas Hardy's novel of life in the Napoleonic era, with soldiers massing to repel invasion, and village life in turmoil as a result. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Up, Up and Away by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
| Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Urban Hymns by Keith Badham
Performance by Up-Stage Theatre Company won Best Youth Actress award in the Bedfordshire One Act Play Festival, 2011 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 65. No chorus. The nine scripts have casts ranging from two to twenty, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is six. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Nine short scripts:
Introduction (Nominally twenty roles)
Bittersweet Symphony (Seven roles)
The Drugs Don't Work (Four roles)
Sonnet (Four roles)
Juliet (Two roles)
Romeo (Two roles)
There Is A Light That Never Goes Out (Five roles)
24 Minutes From Tulse Hill (Six roles)
Lucky (Nominally 15 roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Voices by Peter Harrison
2012. Hale One-Act play festival. Winner Best Original play. Production by Altrincham Garrick. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 16. No chorus. Designed for one principal character and four on-stage voices, though the voices could be allocated amongst a larger number of actors.
The principal character is an old man, nevertheless, this could be played by a youth theatre company. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | The producer's copy of the script makes suggestions for accompanying music/songs. (For atmosphere, rather than live performance). Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play, set in the mind of the principal character, with other roles voiced but not interacting directly with him. |
| Synopsis | A veteran soldier finds himself trapped in his own flat, facing an imagined enemy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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