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Crossing The Line by Pete Benson Performance by Weighton Young Players won the East Riding Section of the All England Theatre Festival, 2019, also picking up best actress, best director and youth section awards. |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 14. No chorus. All characters are aged around eleven or twelve except for Victor Marriot who is an adult at least forty years old. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama for a youth theatre or mixed company. Single (minimal) set. Contains minor bad language. |
Synopsis | Playing games has brought a group of children together in a barn, where they hear how Susan killed an injured cat to put it out of its misery. Then they discover a wanted criminal, shot and on the run. He’ll let them go, as long as Susan stays. He needs her help with something. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Donegal Calling by John Peel |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
Run Time | Around 120 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama in a single set (which needs only furniture). |
Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Epic of Gilgamesh by Adrian Jarvis |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Everything's Eventual by Kieron Toner |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 13. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | Episodic drama with a single coffee shop set - which can just be tables and chairs (with the counter implicitly offstage). |
Synopsis | It's a normal sort of evening in Sally's café, although some of the clientele are a trifle unusual. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Fools Call It Fate by Jessica McHugh Winner of the Mobtown Playwrights Group (Baltimore MD) original playwriting competition, 2010. |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 10. No chorus. Three of the characters are intended to double as 'No-one'. Whilst there is no formal chorus, there are options for additional customers in the bar and restaurant scenes. |
Run Time | Around 100 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama in which threads of tangled lives are interwoven with scenes in a form of purgatory. Four locations, but can be done very simply. Contains adult themes and offensive language (if that's what offends you). |
Synopsis | A story of sex, coincidence, and an electronic cigarette. A group of characters interweave as their stories unfold - Sophie is sleeping with Gabby's husband, he's the Health Inspector who's shut down Tara's bakery, and Tara just met Ash in the bar run by Danny, who's Sophie's brother... and the man who drugged and raped Tara... An intriguing, challenging and very well constructed play with lots of depth to the characters. Set in Baltimore, Maryland, but could easily be transposed to another country! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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For Your Tomorrow by Peter Ayre |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Whilst there are nine characters, doubling of three is invited (for example, the young Albert Parker is intended to be played by the actor who plays David, the older Albert's son.) |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama. Two domestic sets (in the original production this was one box set, with the location change was achieved by using an upstage curtain to conceal or reveal additional set details). Contains a little swearing. |
Synopsis | Albert is getting old and forgetful, so he's moving in with son and daughter-in-law. His presence and decline add to the problems they're already having with their son. But the play also shows how Albert lived as a young man and husband, and tells of some of the experiences that made him who he was - in particular a little-known second world war campaign that marked a turning-point in the war with Japan. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Gate Thirteen by Tony Frier |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus. |
Run Time | Around 48 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy, with a dark twist. |
Synopsis | A disparate group of travellers with various levels of flying experience await the departure of their flight home from Marrakech. Gary and Julie are ingeniously attempting to avoid excess baggage charges, Derek and Pauline are collecting as many freebies as they can and the mysterious Carrie is handcuffed to her seat. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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God's Minstrel by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Human Write by Amelia Armande Best Seller Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus. Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
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Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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