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| Tourney by Paul Gisby |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. All the characters are adults. There are two non-speaking males (who dance in mediaeval armour!) who could be doubled by two other characters. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy drama (visual, physical, verbal). Simple sets - two basic locations. Simple props (if your idea of simple is swords and battleaxes). Fun for the wardrobe mistress, including armour! |
| Synopsis | It's a Mediaeval Re-enactment Society, so the constitution is based on feudalism. King Duncan is about to abdicate (to nurse his hernia) and has the right to appoint a successor. The choice comes down to Sir Roger, who has a pedantic obsession with the detail of mediaeval combat and Sir Eric, who wants to be Errol Flynn playing the Black Prince. And, with the connivance of Queen Veronica, it comes down to trial by combat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Trinity Road School Reunion by Dawn Cairns
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| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. Chorus. As no year of anniversary is mentioned, the cast playing ex-pupils just need to be of similar age. The teachers' ages can vary. |
| Run Time | Around 98 minutes. [Estimated!] |
| Music | The producer's copy of the script contains suggestions for 16 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length musical |
| Synopsis | A class comes back together years after school has finished, for a 70s night at a local pub. Ne romances awaken, and old ones are remembered. Some have changed quite dramatically, but the old bully is still the same. It’s time for the friends to make a stand at last. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Troublesome People by Jill Haas |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. Two characters are offstage voices. |
| Run Time | Around 82 minutes. [Estimated!] |
| Music | Some music suggestions are included in the Producer's copy of this script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length drama, with a minimal setting in the kitchen and environs of a farm. |
| Synopsis | The internment of refugees on the Isle Of Man during the early years of World War Two, and the effect on them and the local population is examined as characters poignantly come to life and develop both tense and loving relationships. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Trussed by JPS Yates |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 9. No chorus. The ninth character is an offstage female voice. This could be recorded, but would be better played live as it is a phone interaction with an onstage character. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Two act comedy with two domestic sets - one in each act - which are the mirror immage of each other! Contains swearing. |
| Synopsis | As if being burgled wasn't bad enough, Graham can't get the police to come round, or his insurance adjustor to pay out on the claim. But is staging another burglary really the answer? It seems not, although with help from his wife and the neighbours, he does find the burglar. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Up, Up and Away by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
| Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Where the Brass Bands Play by Geoff Bamber |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. Detective Sergeant Cross is written female, but could be male with minor adjustments to the text. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full length farce. Single interior set (with inevitable French window and sundry places to hide). Warning - contains entendres, some of them twice. |
| Synopsis | Simeon Gandalf, one-time thespian, now theatrical agent, settles into Mrs Esme Golightly's Seaview Guest House, keen to develop the career of his young protégée, Louise Laverne. Despite Simeon's allegedly innocent intentions towards Louise, the last things he needs are the arrivals in quick succession of his long-estranged fifth wife, seeking a divorce and his long-term mistress, keen to be made into an honest woman. It's just as well that Simeon's solicitor is on hand to dig him out of the hole he is digging for himself. Also present, but wishing they weren't, are a hapless burglar and a member of the local constabulary. Will Mrs Golightly's no hanky-panky policy hold up and is there really a contract killer on Simeon's trail? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Will at the Tower by Pete Hartley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. Five principals plus a chorus of singers. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | The dialogue is interwoven with multiple instances of five original songs. |
| Style | Period drama. Minimal set requirements. |
| Synopsis | A story (based on a local tradition) of Catholicism in the reign of Elizabeth 1st. The Jesuit priest, Edmund Campion pays a clandestine visit to Hoghton Tower in Lancashire with a young Will Shakespeare in tow. They observe the life of the house as the new lady of the manor tries to marry off the daughter of the previous lord. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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