|
| Up, Up and Away by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.) |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019. |
| Synopsis | It all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Voices On And Off by Pat Edwards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. Chorus. The Inner Voices characters may be offstage, but also could appear on stage. Claudia and Percy have actions rather than words. The Chorus do not speak or sing. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy, with quick scenes, and two simple settings. |
| Synopsis | Terry and Ceri are members of the local amateur dramatic society and soon become attracted to each other. Their blossoming relationship is helped, although sometimes hindered, by their inner voices which continue throughout the action. And then there is Claudia... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Where the Brass Bands Play by Geoff Bamber |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. Detective Sergeant Cross is written female, but could be male with minor adjustments to the text. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full length farce. Single interior set (with inevitable French window and sundry places to hide). Warning - contains entendres, some of them twice. |
| Synopsis | Simeon Gandalf, one-time thespian, now theatrical agent, settles into Mrs Esme Golightly's Seaview Guest House, keen to develop the career of his young protégée, Louise Laverne. Despite Simeon's allegedly innocent intentions towards Louise, the last things he needs are the arrivals in quick succession of his long-estranged fifth wife, seeking a divorce and his long-term mistress, keen to be made into an honest woman. It's just as well that Simeon's solicitor is on hand to dig him out of the hole he is digging for himself. Also present, but wishing they weren't, are a hapless burglar and a member of the local constabulary. Will Mrs Golightly's no hanky-panky policy hold up and is there really a contract killer on Simeon's trail? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Willy Wonga by Connie Scott |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 20. No chorus. 20 roles, though most are gender non-specific and can be doubled. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | A short modernised adaptation of A Christmas Carol, in rhyming form. |
| Synopsis | The tale of A Christmas Carol brought up to date and presented in a rhyming form, starring Willy Wonga, the unrepentant Payday Lender who's keen to get every last penny out of everybody he meets. Until, that is, this Christmas night... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| X-Traordinary Factor by Gary Diamond |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. Whilst PC Gorgonzola is written male, we believe that the character could easily be female (evening-up the numbers a little). |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play. Minimal set and simple props (so could easily serve as a very funny festival piece). Contains mild swearing. |
| Synopsis | In an attempt to escape the law, two bungling would-be thieves crash the auditions for a reality TV talent show. Unfortunately for them, there's a policeman auditioning, as well as a couple of other surprises in store... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| You See It All On The Radio! by Jilly McNeil |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. The age range of the cast has not been specified deliberately to allow for greater flexibility. Likewise, the parts of Bev and Tess can quite feasibly become Ben and Terry. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a radio studio setting. |
| Synopsis | A small radio station is ambitiously transmitting a live performance of a period drama. The presentation crumbles as the actors struggle with their own relationships, To make matters worse, the sound effects go awry and transmission difficulties arise. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Zoo by Terry Adlam
Performance by Biggleswade Amateur Theatrical Society won three awards at Bedfordshire Drama Festival, 2011, & performance by Little Eyases won 'Best Comedy' at The 38th Wellington Drama Festival, 2011 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 16. No chorus. Five characters appear on stage, with a further eleven as radio or telephone voices. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Hilarious one-act comedy. Single set. Contains a little swearing, a little physical violence and a penguin. |
| Synopsis | It's an important day for the zoo manager - financier Sir Norman is coming for an inspection, and nothing must go wrong. So it would be a bad time for the gibbons to hijack a car, the tractor to run into croc lake and the tiger to take up residence in the coffee shop. And don't ask about the penguin. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|