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| Gate Thirteen by Tony Frier |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with a dark twist. |
| Synopsis | A disparate group of travellers with various levels of flying experience await the departure of their flight home from Marrakech. Gary and Julie are ingeniously attempting to avoid excess baggage charges, Derek and Pauline are collecting as many freebies as they can and the mysterious Carrie is handcuffed to her seat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Girls Are Back in Town by Jonathan Edgington |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | One public domain song is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama set in both the present day and WW1. Seven different settings, though all can be portrayed with minimal furniture. |
| Synopsis | Four iconic suffragettes are mysteriously transported to modern-day London to finish what they started. 100 years earlier, as Alan learns the horrors of life on the Western Front, his girlfriend Beatrice carries out important work for the suffragettes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Girls' Talk by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of six comedy sketches, each with a cast of two women. |
| Synopsis | Sketches tackling the difficulties of office life, men, gossiping and more men.
(Each of the sketches is available individually.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Gladiator In The House by John Waterhouse |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy (reminiscent of a Restoration Comedy) with various settings in Ancient Rome designed to be created simply (even in the round). |
| Synopsis | Ancient Rome is brought to life as the love affair between escaped gladiator, Marcus, and Livia, daughter of high ranking citizen Gallus, develops despite the efforts of gladiator owner Proculus and the lecherous banker Carus. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| God's Minstrel by Joseph P. Ritz |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
| Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gold Cup Week by Peter Green |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play. |
| Synopsis | Suzanne and her three friends agree to provide lodgings in their houses for jockeys attending the Cheltenham race meeting. Their guests have a significant influence on the families' lives, particularly on Suzanne - who experiences a poignant life changing effect. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Great Moments in History, Number 3 by Jack Burgess |
| Roles | Minimum Male roles = 4. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 10. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | Script includes a parody of the title song from Oklahoma. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Musical skit, parodying the creative process! (Part of the Acting Funny collection of sketches.) |
| Synopsis | The Rogers and Frankenstein Story! Richard Rogers and his collaborator, Oscar Frankenstein III, ponder the creation of a new Broadway musical, whilst eating pizza. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Guest House by P. B. Stenson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 16. No chorus. Fifteen on-stage roles plus an offstage voice. |
| Run Time | Around 87 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play in a single bedroom set. An episodic structure (because all the guests can't occupy the same bedroom at the same time.) |
| Synopsis | Clara and Will have bought the Guest House at Number 13, a new business venture for them. They find that there is a lot of on-the-job learning to do - for example, they have to decide what to do with the stash of old twenty pound notes in the hidden wall safe, not to mention the peculiar behaviour of their guests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hats Off! - The Musical by Sue Gordon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 9. Chorus. A nucleus of seven actors, backed by a chorus (with no size limitations) singing the songs. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | Sheet music for seven songs (original lyrics to Victorian period music) is supplied with the Producer's copy of the script. |
| Style | Musical for children (could also be staged by adults for kids). Whilst by length we would class this as a one-act play, it is split into two acts and an interval is advised so that the single set can be redressed to mark the passage of time! |
| Synopsis | Mrs. Green is the real driving force behind 'Barker's Bonnets' a milliner's shop in Victorian England. However, she faces unemployment when Mr. Barker sells up to emigrate. A secret scheme is hatched to allow her to continue - and to thrive in the modern world of the 1870s. (The script tells an engaging story whilst exploring the novelties, inventions and social nuances of the Victorian world. This would fit well with the English National Curriculum Key Stage 2 History Topic, 'The Victorians'.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| The Hound Of The Baskervilles by Richard Coleman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act rhyming humorous play, freely interpreting the original story. |
| Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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