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Kalifa's Amazing Adventures by Nikki Harmon |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 17. No chorus. The lead character is a young elephant and various others are animals. These are supposed to be indicated by costumes props or masks, rather than being entirely realistic! (There's a photographic example on the script page.) |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Full length play - a fable along the lines of the Just So stories or Brer Rabbit. Aimed at a young audience, but to be played by adults or teenagers. |
Synopsis | The growing pains of an inquisitive young elephant, as she learns about the dangers of her environment and the value of friendship. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Kids in Lurve by Bill Siviter |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 15. No chorus. Lots of flexibility for either doubling characters or splitting the narrator's role amongst several actors. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Rhyming play, delivering a rapid, modern and informal version of Shakespeare's 'The Taming of the Shrew'. Multiple scenes, but little required by way of set or props. Set in the north-west midlands, but could easily be moved to your home town! |
Synopsis | Bianca is sweet and pretty. All the lads fancy her. But standing in the way, there's Bianca's acid-tongued sister, Kate, and who can tame Kate? Well, since there aren't many lads called Petruchio these days, the modern-day volunteer is Shane. The course of true love never did run smooth (but that's another story). |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Lambton Worm by Timothy Hallett and Nicholas Richards |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
Run Time | Around 20 minutes. [Estimated!] |
Music | A 40-page musical score is included with the Producer's Copy of the script. |
Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
Synopsis | The tale of the wild worm of Wearside and its grisly end. It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.) ** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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Click here to read the script or Click here for more details. |
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Language Lessons by Nicholas Richards |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Language Lessons (II) Asking the Time by Nicholas Richards |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
Music | None. |
Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Laughter Lines by Frank Gibbons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
Synopsis | Sketches about life, death, relationships and cream cakes. Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.) There is no particular order to the sketches, but there are occasional common themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Life Goes On by Frank Gibbons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 44. No chorus. |
Run Time | Around 110 minutes. [Estimated!] |
Music | None. |
Style | Collection of 19 comedy sketches (ranging in duration from 4 minutes to 9 minutes). Few set requirements. There are a couple of mild swearwords buried in there somewhere. |
Synopsis | Sketches about life, love, work and cream cakes. All of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.) There is no particular order to the sketches, but there are occasional common themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Little Elfin Magic by Donna Brightwell |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Whilst some of the characters are written as male or female, this is largely a matter of personal pronouns, so the script can easily be adjusted to accommodate anything from ten boys through to ten girls. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | One-act (well, technically two acts, but of one-act play length!) secular Christmas play. Aimed at junior school children, but could enjoyably be played for laughs by older groups! |
Synopsis | It's September and the Elves in Santa's toy workshop are in a spot of bother - they've only just woken up after their New Year Party and they have three months to make a year's worth of toys. Worse still, could the new department member be a spy? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Little Extra Help by Jo West |
Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | A one act romantic comedy. |
Synopsis | Supermarkets seem to be the place to meet prospective partners and this supermarket manager acts as a pro-active narrator as, after a few hiccups, romance blossoms. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Little Watch Girl by George Douglas Lee |
Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. Characters are a mixture of adults and children which could be played that way or could all be played by children. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play based on Hans Christian Andersen's Little Match Girl. Single set. Props include a rather under-cooked roast goose. |
Synopsis | A familiar Christmas story is given a major twist when a starving, freezing girl out on a snow Christmas Eve supplements her match selling income by stealing watches from passers by. She is visited by several visions to help her learn the true meaning of Christmas. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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