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| Stardust by 10 x 10 Writers |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | Six short plays inspired by the life and work of David Bowie. |
| Synopsis | Six short plays, a mixture of comedy and drama, inspired by the life and work of David Bowie. All were winners of the October 2016 Chesil Theatre New Writing Festival. The plays are available individually, but are provided here as a collection at a discount. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Staying The Course by Richard Stainer |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 119 minutes. [Estimated!] |
| Music | The producer's copy of the script contains suggestion for four pieces of background music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length comedy, with adult content. |
| Synopsis | Well-meaning Church Warden Janet and her reluctant husband David invite their neighbours to participate in a marriage guidance course which opens a can of worms for everyone - but particularly for Janet herself. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Suite 145 by Paul Bovino |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 12. No chorus. There is no overlap between the characters in the four plays - which does not exclude the possibility that they are played by the same actors. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 4 one-act plays, each with a single (New York apartment) setting. The plays function independently, so could be performed separately or together. Contains swearing (but only as an incidental attribute of character, situation and comedy). |
| Synopsis | Four plays, linked by the setting - Suite 145 - a New York apartment address (although it is not necessarily the same building!) The plays take place in different eras, with different occupants and certainly different tastes in decor! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Surprise Me Darling by Bob Heather |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. There are four or five 'extras' specied in the script but not included in the cast numbers here. They appear only at the end of the final scene. (These might be omitted if the rest of the cast make enough impact!) |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full length domestic comedy. Single living-room set. Contains swearing and mild adult themes. |
| Synopsis | John and Chrissie have been married for nearly two years. With a pending anniversary, buying presents has never been John's good point, so he tries the easy way out by trying to give Chrissie the money to by her own present. Chrissie insists that she would prefer a surprise. After a rushed dinner party where everything goes wrong, John decides to change his ways and surprise Chrissie more often, but he finds the element of surprise is not easy to master.
'This witty comedy will have you wincing at times with the near pin-point accuracy of the relationship comments it makes. It is sure to delight audiences in search of a great nights entertainment.' - Amateur Stage |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Surprise! Surprise! by Philippa Smith |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 15. No chorus. Nine on-stage characters plus six off-stage voices (which could be recorded). |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | A fun comedy with a variety of strong characters, who are all developed well over the play. A good balance of verbal and physical humour, and of comedy and drama. |
| Synopsis | Jess's son has arranged a weekend getaway in a Derbyshire cottage for her seventieth birthday, with surprise guests in attendance. The problem is, neither her husband nor the son have bothered to turn up themselves, and the guests he's randomly picked from her contacts aren't the ones she'd have chosen to spend her special day with. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tabbed by Bob Tucker |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy, set in the middle of a (disastrous) pantomime performance. |
| Synopsis | It's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Talk Show by Gary Diamond |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. (The doubling figure assumes that the Videotones (three female vocalists) are a recording rather than a live act!) |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, single set (a simple TV talk show studio bounded by dressing room and green room). Includes mild swearing and adult themes. |
| Synopsis | Bunter Smiles is having a bad day. He's just found his wife cheating on him with an American actor, who just happens to be the main guest on his talk show. Little does he know how bad the other guests are going to be... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Talky Bits by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain. |
| Synopsis | Ten comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves.
Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Ted by Steven Stack
Runner-up, 2018 Maine Principals' Association Drama Festival (Production by Central High School) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A quirky one act play, retelling the tale of Rumplestiltskin. A companion (same style, different tale) to Hansel and Gretel... and Sadie (Of Edible Houses, Risky Bargains, and Other Grimm Happenings) |
| Synopsis | This re-telling of the story has all the traditional aspects at first, but departs from the usual by dispensing with the royal marriage and the first-born part. A very off-beat comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Teenage Christmas Carol by Richard James |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 25. No chorus. Very flexible casting - there are 11 narrators, who could ultimately be condensed to one role, and other doubling would be possible. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play in a mix of verse (from the narrators) and prose (from the rest of the cast). No set requirements, simple props. |
| Synopsis | The great granddaughter of Ebenezer Scrooge needs to be taught the same lessons he learned - and in a very similar fashion! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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