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Everything's Eventual by Kieron Toner |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 13. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | Episodic drama with a single coffee shop set - which can just be tables and chairs (with the counter implicitly offstage). |
Synopsis | It's a normal sort of evening in Sally's café, although some of the clientele are a trifle unusual. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Girls Are Back in Town by Jonathan Edgington |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 12. No chorus. |
Run Time | Around 53 minutes. [Estimated!] |
Music | One public domain song is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one-act drama set in both the present day and WW1. Seven different settings, though all can be portrayed with minimal furniture. |
Synopsis | Four iconic suffragettes are mysteriously transported to modern-day London to finish what they started. 100 years earlier, as Alan learns the horrors of life on the Western Front, his girlfriend Beatrice carries out important work for the suffragettes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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God's Minstrel by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Heart-Shaped Cushion by Louise Wade |
Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 21. No chorus. The patients can be any age from about thirty-five to sixty-five. Beth and Tom should be about the same age. Doubling and trebling-up is possible with a minimum of one man and six women |
Run Time | Around 67 minutes. [Estimated!] |
Music | None. |
Style | A one act drama following a patient's experience with breast cancer, through chemo and physiotherapy, to exiting the treatment. |
Synopsis | Along the way we meet people dealing with similar experiences. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande Best Seller Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus. Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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The Living Room by Clive David Lloyd Williams |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. |
Run Time | Around 54 minutes. [Estimated!] |
Music | None. |
Style | One-act drama of paranormal events in a single living room set (with two practical doors). |
Synopsis | After the death of Joe's wife, his neighbour Amy visits to give him support. This is followed by a series of unexplained events, with paranormal investigators who themselves fall prey to the events. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** Jpeg image by Jo Goodberry designed to form the basis for a poster for 'The Living Room' by Clive David Lloyd Williams
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Click here to read the script or Click here for more details. |
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The Loft by James Brosnahan |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 17. No chorus. |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Full-length play, with plenty of challenges for the actors! (Contains mild swearing.) |
Synopsis | An apartment building (the Loft of the title) is scheduled for demolition, and shares a few of the stories he has witnessed before the button is pressed. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Love by John Collings |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus of dancers is optional. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | A one-act romantic comedy drama with a single multi-functional set. |
Synopsis | A young girl dreams of finding real love and breaking away from her dominant mother. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Macbeth [75-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 29. No chorus. Twenty-nine roles, but playable by a cast of ten. (The producer's copy of the script includes a table of roles per scene to help figure out the doubling options.) |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | A 75-minute abridgement of Shakespeare's Scottish play. (The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
Synopsis | Witchcraft, prophecies, hallucination, regicide, porterage, portents, usurpation, amicide, phantom at the feast, apparitions, equivocations, blood-boltered spectre, family massacre, somnambulation, suicide, tyrannicide, decapitation. All good clean fun. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Matt Freeman's San Antonio by Sandy Radford |
Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love. A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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