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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Living Room by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama of paranormal events in a single living room set (with two practical doors). |
| Synopsis | After the death of Joe's wife, his neighbour Amy visits to give him support. This is followed by a series of unexplained events, with paranormal investigators who themselves fall prey to the events. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love by John Collings |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus of dancers is optional. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act romantic comedy drama with a single multi-functional set. |
| Synopsis | A young girl dreams of finding real love and breaking away from her dominant mother. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Macbeth [75-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 29. No chorus. Twenty-nine roles, but playable by a cast of ten. (The producer's copy of the script includes a table of roles per scene to help figure out the doubling options.) |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A 75-minute abridgement of Shakespeare's Scottish play.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | Witchcraft, prophecies, hallucination, regicide, porterage, portents, usurpation, amicide, phantom at the feast, apparitions, equivocations, blood-boltered spectre, family massacre, somnambulation, suicide, tyrannicide, decapitation.
All good clean fun. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Midsummer Night's Dream (Comedy Crew 60 Minute Version) by Jack Shaw |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 16. No chorus. 14 on-stage characters (played by a minimum of 9 actors) plus two offstage voices, which might be pre-recorded. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A very amateur theatre company present their take on Shakespeare. |
| Synopsis | Cowmoor Comedy Crew, a rural amateur group, perform a sixty-minute version of A Midsummer Night's Dream.
The same story, with a preceding act, showing how the production came together, is told in The Dream! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mitigating Circumstances by Juliet Devon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 11. No chorus. Ten on-stage characters plus an offstage voice (better done live, but easy to double) |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A dramatic story told in a single set but in non-chronological order. |
| Synopsis | Simon's death was certainly caused by his heart condition, but Emma swapping his meds for vitamins didn’t help. After the funeral, her friends gather and discuss things that might have driven Emma to murder. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Nanny State by Nigel Holloway |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 22. No chorus. Several of the characters appear only in voice-over. A 'doubling list' is included in the Producer's Copy of the script. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A complex and challenging, but performable one-act play, with a subject that is both controversial and compelling. Split-stage set. Includes mild swearing |
| Synopsis | When Bernard dies, his wife discovers he's been writing a political blog that has galvanised the country. She steps into his shoes, fights a campaign and becomes Prime Minister. But the cost is high for saving the country.
A hard-hitting political play, posing the question 'Could the Grey vote really change the world?' However, when it comes down to it, the play is not about how to right the wrongs of governing the country, it's about one woman's blindness to the people closest to her, about losing sight of the things that really matter in life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Necklace by Tony Best
Performance by Cheshire Academy of Performing Arts won best Youth Production and the Syd Mence cup for a piece of theatre magic at the Wilmslow Guild One Act play Festival, 2012 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 29. Chorus. There are two main roles, and a 'chorus of voices' playing all the other roles, thus the numbers are very flexible. The chorus members play specific roles but also act as a 'Greek Chorus' to comment on the story. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play based on a short story (a moral fable) by Guy de Maupassant. Written for a youth theatre production but could be performed by adults. |
| Synopsis | Mathilde is a vain, proud woman, who regrets that the she has been born into the humbler classes. She longs to be an aristocrat. Given her chance to shine, she borrows a stunning necklace, but that is the start of her woes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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