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| The Dancing Princesses by Peter Bond |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 28. No chorus. The numbers are very flexible. There are three speaking princesses, but this could be reduced to 2. However, there is scope for a much larger number of (non-speaking) princesses and an equal number of dancing princes. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Verse play, with some elements of panto, based on The Shoes That Were Danced to Pieces or The Twelve Dancing Princesses (depending on which translation of the Brothers Grimm you prefer). Several locations, but no major set requirements. |
| Synopsis | A King offers the usual rewards (marriageable daughter, bits of kingdom, that sort of thing) for anyone who can discover why each of his daughters ruin a pair of shoes every night. Enter a wounded soldier and a helpful old lady to solve the mystery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Diamond Jubilee 2012 by Ray Lawrence |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 38. No chorus. Generally, the characters are fairly normal, although one of them is a football. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Revue - that is to say, a themed sketch show. Structured with a chairman (of the Music Hall sort) to introduce the act. Few set requirements. |
| Synopsis | A collection of twenty four sketches suitable for the celebration of Queen Elizabeth the Second's Diamond Jubilee (and probably other occasions).
Not a musical show as written, but structured so that musical numbers could easily be inserted between the acts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Disconnected by Paul L. Harwood |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 9. No chorus. Several characters appear as (old) adults and their youthful selves. This is open to being done by two actors or by one acting different ages. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set which morphs into different locations. An exploration of time, decisions and consequences. Contains mild swearing. |
| Synopsis | Bernie is an old man, but he's haunted by the consequences of a promise he made to his childhood friend Joe, who died in World War Two. Now Bernie is reliving important moments of his life - could he really be about to undo the most disastrous decision he ever made? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Donegal Calling by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in a single set (which needs only furniture). |
| Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Duck by Bob Tucker |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. Three ducks, three swans and three hunters! |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute comedy play. Single set (no real set requirements) |
| Synopsis | Three different varieties of duck are arguing about which is the true Duck, when they are united by the threatening behaviour of the ruling swans. Sadly, before their revolution can get off the ground, three duck hunters arrive. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dummy Cabs by S. P. Franksson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four on-stage characters, seven live voices (which could, conceivably, be played by one male actor) plus a recorded message. |
| Run Time | Around 114 minutes. [Estimated!] |
| Music | None. |
| Style | A fun full-length comedy with likeable characters in a single taxi office setting. |
| Synopsis | It's the 1990s and Dermy Cabs is under threat from a competitor. Beryl, the overworked switchboard operator, struggles with phone, radios and in-person customers whilst trying to keep the company's drivers under control, especially Bob, whose wife has kicked him out of the house. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| End of the Ban by Anne Graham |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one-hour comedy set in 1980s England. |
| Synopsis | It is 1987. Coal miner Les Varley and his family are typical of the many mining families of North Nottinghamshire. Les and his wife Rita's slow drift apart is accelerated by conflicts over their daughter's sex life and their son's criminal activities. Then comes the news that Les is trapped in an underground roof fall. His family, the neighbours and the whole village can only wait. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Everybody's Talking by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 47. No chorus. Some scripts require offstage voices which could be recorded. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of comedy sketches, with a variety of simple sets. |
| Synopsis | A collection of confrontations, revelations, and scenes of a gossipy nature. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Finding Goddard by Deborah Hugill
Performance by Ury Players won the Gallery Trophy in the Aberdeen District of the SCDA one-act play festival 2023. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 16. No chorus. 11 minor roles can be easily shared by two actors. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a variety of locations but minimal set requirements. |
| Synopsis | When it turns out a modest, unassuming man in Helions Bumpstead is really God, everyone has an angle and everyone wants in. But soon enough, people affected by 'Acts of God' want their day in court. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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