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Puss in Boots [Short Version] by Geoff Bamber |
Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 13. No chorus. Includes a cat and an ogre, so nothing out of the ordinary. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy (not really a pantomime treatment, though this is frequently a panto subject). Several different locations, but no real set requirements, so can be staged very simply. |
Synopsis | Jack, the Miller's youngest son, finds himself cast out when his father retires and hands over the business to his other two sons. With only a burning ambition to be a magician, a dream of marrying a princess and his cat for company, he sets out to make his fortune. After an inauspicious start to his great adventure, a misfiring trick results in the cat being far more useful than Jack could ever have imagined. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Relationships in Progress by Carl Zeitler |
Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 17. No chorus. |
Run Time | Around 64 minutes. [Estimated!] |
Music | None. |
Style | A collection of six short plays linked by a theme, intended to be performed together, with various simple settings. US English. |
Synopsis | Relationships in Progress is made up of six short plays portraying various people in relationships we all can relate to: first dates, co-workers, spouses, siblings, and friendship. Whether fun and light, serious and deep, or some combination of those, the characters deal with their relationships with one another as well as the world around them. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Resurrectionist by Robert Hunter Allan Winner of the Edinburgh SCDA One Act Festival competition.Awarded the Edith Frobes Trophy (Edin. winner), The Eric Bennett Trophy for highest mark in production, the Bobby Watt Cup for stage presentation and the Eastern Division trophy - Jin Brown Trophy |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 10. No chorus. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | A one-act dark comedy with four simple sets. |
Synopsis | Mary Tyrell, the brains behind the bodysnatching activities of Burke and Hare in 19th Century Edinburgh, finds herself facing execution but manages to ensure that Burke and Hare take the blame. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Rhyming Treasure Island by Richard Coleman |
Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 14. Minimum total without doubling = 14. Chorus. More major female roles than the original tale. (It should be noted that female pirates were not unknown!) There is a chorus of three pirates which could be expanded to as many pirates are aboard your ship. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | Rhyming comedy (with some of the characteristics of a British panto). |
Synopsis | Robert Louis Stevenson's classic tale of buried treasure adapted for the stage as a verse play. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Robin Hood and the King's Bling by Geoff Bamber |
Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 20. No chorus. There is no formal chorus, but it would be possible to add villagers and sheriff's guards. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | Comedy play for kids. Structurally in two acts, but of one-act length. Simple (minimal) sets (give or take the tree), and simple props (give or take the tree stumps). |
Synopsis | Robin Hood's mission statement - Steal from the Rich, Give to the Poor - is wearing thin with the local villagers who haven't seen much of him doing either. The arrival in the area of King John, complete with a box of royal jewels and an underhand plan for them, presents Robin and his outlaw band with a chance to redeem themselves. Unfortunately for Robin, his arch-enemy, the brutal Sheriff of Nottingham, stands in his way. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Romantic Legend of Don Quixote - A Knight to Remember by Geoff Bamber |
Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Don Quixote's servant is normally male (Sancho Panza), but here is written female (Sancha Panza), though could be played by either. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-Act comedy (verbal and physical). Single set. Written for a company of adults, but could be played by teenagers. |
Synopsis | When the penniless nobleman Don Quixote arrives in the town of Guadalcar he falls in love with the beautiful daughter of Don Alvaro and Donna Madeleina, the town's rulers. Unfortunately Don Quixote doesn't fit their idea of a suitable match for their daughter and Don Quixote has to complete seven tasks to prove himself. Fortunately he has help from Sancha, his servant, Romana, a fortune teller, and Gonzalo, an artist with questionable honesty, who make up for Quixote's distinct lack of bravery and imagination! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Romeo and Juliet Date Other People by Jon Jory |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy starting from Shakespeare and straying a good way. Simple to stage. Written in American English. |
Synopsis | Romeo's wooing of Juliet fails when both run out of poetry, so they agree to take a break and see other people. Romeo's dates with Lady Macbeth, Cleopatra, and the Wicked Witch of the West don't go well, nor do Juliet's with Paris, Iago and Oberon. Maybe the star-cross'd lovers are the only ones right for each other. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sassenach by Ronnie Dykstra |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 11. No chorus. Eleven roles (plus two actors who play themselves before taking on characters), designed to be playable by a cast of three plus a cameo from the director. |
Run Time | Around 34 minutes. [Estimated!] |
Music | None. |
Style | A spoof 'English' Macbeth based shamelessly on Shakespeare's tragedy, stealing many of his famous words and taking disgraceful liberties. One-act, single set (largely a living room). |
Synopsis | When a witch prophesises that Arthur Robinson could become chairman of the bath plug manufacturer he works for, his wife Samantha coerces him into speeding the process along by having his boss clobbered with a saucepan. His subsequent rise to power is hindered by the blood on their hands and rival employee Andrew Duff. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The School for Scandal (abridged) by Sheridan abridged by George Freek |
Roles | Minimum Male roles = 9. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | Eighteenth century comedy of manners, abridged to one-act play length. |
Synopsis | Plots and intrigues abound to blacken names and ruin reputations, but when true love is expressed it awakens the good characters of some of the school's members. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Scramblings at Spriggly Torch by Richard Coleman |
Roles | Minimum Male roles = 9. Minimum Female roles = 8. Minimum total with doubling = 17. Minimum total without doubling = 17. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Comic play - a Second World War mystery. One set, divided into three locations. |
Synopsis | It is 1943, and enemy plans for a new fighter aircraft have fallen into the hands of British intelligence, but a traitor is suspected of attempting to retrieve them. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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