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The Lambton Worm by Timothy Hallett and Nicholas Richards |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
Run Time | Around 20 minutes. [Estimated!] |
Music | A 40-page musical score is included with the Producer's Copy of the script. |
Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
Synopsis | The tale of the wild worm of Wearside and its grisly end. It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.) ** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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Click here to read the script or Click here for more details. |
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Language Lessons by Nicholas Richards |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Language Lessons (II) Asking the Time by Nicholas Richards |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
Music | None. |
Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Laughter Lines by Frank Gibbons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
Synopsis | Sketches about life, death, relationships and cream cakes. Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.) There is no particular order to the sketches, but there are occasional common themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Lennon and Buddy by Clive David Lloyd Williams |
Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 14. No chorus. |
Run Time | Around 41 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama on two (living room/backstage) sets. |
Synopsis | Buddy Holly and the Crickets perform at the London Palladium, and in Liverpool, John Lennon sees the performance on a friend’s TV set. He boasts that his band will surpass Buddy Holly. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Life Goes On by Frank Gibbons |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 44. No chorus. |
Run Time | Around 110 minutes. [Estimated!] |
Music | None. |
Style | Collection of 19 comedy sketches (ranging in duration from 4 minutes to 9 minutes). Few set requirements. There are a couple of mild swearwords buried in there somewhere. |
Synopsis | Sketches about life, love, work and cream cakes. All of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.) There is no particular order to the sketches, but there are occasional common themes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Limbo Café by Stewart Boston |
Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 12. No chorus. 3 voices are offstage characters, and could be recorded. |
Run Time | Around 52 minutes. [Estimated!] |
Music | None. |
Style | A two act satirical fantasy drama in a one act length, various settings. |
Synopsis | Hard-headed Canadian businessman Michael and his currency-market speculator partner Joan, are killed in a car crash. In their attempts to vacate Limbo their lives are put on trial - by figures from history, to determine their future. They find that Hell has no limits. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Living Room by Clive David Lloyd Williams |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. |
Run Time | Around 54 minutes. [Estimated!] |
Music | None. |
Style | One-act drama of paranormal events in a single living room set (with two practical doors). |
Synopsis | After the death of Joe's wife, his neighbour Amy visits to give him support. This is followed by a series of unexplained events, with paranormal investigators who themselves fall prey to the events. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Local News by Sean Dooley |
Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Full-length farcical comedy. Multiple sets (to be changed quickly via backdrops). Divided into five acts - indicating the phases of the story, rather than places for audience breaks! (Contains one unsavoury throw-away line!) |
Synopsis | The town of Taviscombe is a quiet, peaceful hamlet, however this leaves the local newspaper and police force without much to do. To try and combat their boredom and get themselves recognised on a national level, both organisations independently plan a robbery. Unfortunately the fool-proof schemes they come up with are identical, leading to a great deal of confusion and the disappearance of the money they were targeting. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Loft by James Brosnahan |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 17. No chorus. |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Full-length play, with plenty of challenges for the actors! (Contains mild swearing.) |
Synopsis | An apartment building (the Loft of the title) is scheduled for demolition, and shares a few of the stories he has witnessed before the button is pressed. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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