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| Kids in Tights - The Musical by Bill Siviter with Music by Jonny Ardern |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Whilst there isn't a formal requirement for a chorus, there is plenty of opportunity for adding Montagues, Capulets and ball guests. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | Piano and Vocal scores for nine songs are supplied with the Producer's Copy of the script. |
| Style | Romeo and Juliet told, as an irreverent verse play, by the protagonists and by narrators. A good introduction to Shakespeare's story! (The specified run-time is the minimum - extending the ball and the fight will add time!) |
| Synopsis | Shakespeare's Romeo and Juliet condensed into a short verse play for kids, then lengthened because everyone gets so excited that they need to sing about it.
Boy meets girl, love overcomes the family feud - but only for the lovers. Swordplay turns rivals into kebabs. Mistakes are made and the heroes die. (You see, it's a soppy love story.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| The Lambton Worm by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | A 40-page musical score is included with the Producer's Copy of the script. |
| Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
| Synopsis | The tale of the wild worm of Wearside and its grisly end.
It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.)
** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lennon and Buddy by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on two (living room/backstage) sets. |
| Synopsis | Buddy Holly and the Crickets perform at the London Palladium, and in Liverpool, John Lennon sees the performance on a friend’s TV set. He boasts that his band will surpass Buddy Holly. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Limbo Café by Stewart Boston |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 12. No chorus. 3 voices are offstage characters, and could be recorded. |
| Run Time | Around 52 minutes. [Estimated!] |
| Music | None. |
| Style | A two act satirical fantasy drama in a one act length, various settings. |
| Synopsis | Hard-headed Canadian businessman Michael and his currency-market speculator partner Joan, are killed in a car crash. In their attempts to vacate Limbo their lives are put on trial - by figures from history, to determine their future. They find that Hell has no limits. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Love by John Collings |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus of dancers is optional. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act romantic comedy drama with a single multi-functional set. |
| Synopsis | A young girl dreams of finding real love and breaking away from her dominant mother. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Madame Skoodle's Noodles And The Poodle Doodle by Erica Glenn |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Twelve human characters plus a show dog! |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A surreal comedy that requires almost no set with a witty and fast paced dialogue. |
| Synopsis | There's a news report that Noodles the Poodle has been found dead, just before he was supposed to win the big Poodle Doodle competition. Who killed him? There's a regular parade of suspects, but is Noodles really dead? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Man of Quality by Richard Morris |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One act play, exploring slavery and its abolition in the West Indies. Multiple settings, but suitable for minimal staging, with location changes indicated mainly by lighting. |
| Synopsis | A historical drama based on the experiences of Janet Shaw and her father, the English Abolitionist James Shaw. Janet travels to Antigua to see for herself the treatment of slaves on the sugar plantations. She is impressed by the intelligent and gentle Robert, a house slave of her hosts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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