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| Kids in Lurve by Bill Siviter |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 15. No chorus. Lots of flexibility for either doubling characters or splitting the narrator's role amongst several actors. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Rhyming play, delivering a rapid, modern and informal version of Shakespeare's 'The Taming of the Shrew'. Multiple scenes, but little required by way of set or props.
Set in the north-west midlands, but could easily be moved to your home town! |
| Synopsis | Bianca is sweet and pretty. All the lads fancy her. But standing in the way, there's Bianca's acid-tongued sister, Kate, and who can tame Kate?
Well, since there aren't many lads called Petruchio these days, the modern-day volunteer is Shane.
The course of true love never did run smooth (but that's another story). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Kids in Tights - The Musical by Bill Siviter with Music by Jonny Ardern |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Whilst there isn't a formal requirement for a chorus, there is plenty of opportunity for adding Montagues, Capulets and ball guests. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | Piano and Vocal scores for nine songs are supplied with the Producer's Copy of the script. |
| Style | Romeo and Juliet told, as an irreverent verse play, by the protagonists and by narrators. A good introduction to Shakespeare's story! (The specified run-time is the minimum - extending the ball and the fight will add time!) |
| Synopsis | Shakespeare's Romeo and Juliet condensed into a short verse play for kids, then lengthened because everyone gets so excited that they need to sing about it.
Boy meets girl, love overcomes the family feud - but only for the lovers. Swordplay turns rivals into kebabs. Mistakes are made and the heroes die. (You see, it's a soppy love story.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| A Knight to Remember by Johnny Jarman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 135 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length farce on a single (hotel suite) set. |
| Synopsis | Sir Ronald is going to accept a Lifetime Acting Achievement award, if he can learn his speech in time. But sadly for him, his night is going to be full of interruptions from all kinds of people - and even his own murky past! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
| Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Séance by Herb Hasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 85 minutes. [Estimated!] |
| Music | None. |
| Style | A slick farce with a single domestic set. (Nominally in the USA, but could work in any location.) Contains mild swearing. |
| Synopsis | A family-operated séance scam is laid out before us. Attempts to conceal the swindle lead to a number of surprising twists amid frenetic action. The final startling twist of the play reveals to us - and the family - why this must be the last séance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Life Goes On by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 44. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 19 comedy sketches (ranging in duration from 4 minutes to 9 minutes). Few set requirements. There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, love, work and cream cakes.
All of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Losing Purpose by Jim Pinnock |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Ten speaking parts, two non-speaking (who could double with other roles). |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | Short light comedy in a single set. |
| Synopsis | Having abandoned his car, a man is desperate to find someone who can direct him through the tortuous one way system and back on the road to London. Everyone is willing to stop and talk, but no one has the help he needs. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'Losing Purpose' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Click here to read the script or Click here for more details. |
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| Love by John Collings |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus of dancers is optional. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act romantic comedy drama with a single multi-functional set. |
| Synopsis | A young girl dreams of finding real love and breaking away from her dominant mother. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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