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| The Death on the Smug Juggler by Richard Coleman |
| Roles | Minimum Male roles = 9. Minimum Female roles = 6. Minimum total with doubling = 17. Minimum total without doubling = 18. No chorus. One of the female characters is optional (with only a brief appearance for the first scene). If this character is dropped then alternative dialogue is provided in the Producer's copy of the script. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Classical 'Whodunnit' - a closed environment, a murder and lots of motives - as a full-length play. Single main set plus front-of-gauze scenes. Simple props. |
| Synopsis | Theodore Shimmer is a businessman, smuggler, blackmailer and crook - a man who easily attracts enemies - and many of them seem to have been invited onto 'The Smug Juggler' for a Nile cruise. There's the fading film-star, the debt-ridden gambler, the dodgy doctor and the business rival. No surprise, then, that Theodore Shimmer is found dead. However, the manner of his death is more of a surprise. (Fans of this genre will be led to thinking that they are witnessing a cross between 'Death on the Nile' and 'Murder on the Orient Express' - only to be taken in by the author's cunning plot twist!) |
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| Click here to read the script or Click here for more details. |
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| Diamond Jubilee 2012 by Ray Lawrence |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 38. No chorus. Generally, the characters are fairly normal, although one of them is a football. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Revue - that is to say, a themed sketch show. Structured with a chairman (of the Music Hall sort) to introduce the act. Few set requirements. |
| Synopsis | A collection of twenty four sketches suitable for the celebration of Queen Elizabeth the Second's Diamond Jubilee (and probably other occasions).
Not a musical show as written, but structured so that musical numbers could easily be inserted between the acts. |
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| Donegal Calling by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in a single set (which needs only furniture). |
| Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
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| Click here to read the script or Click here for more details. |
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| Dracula by Damian Woods |
| Roles | Minimum Male roles = 8. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama adapted from the Bram Stoker novel. This has been written to be easily staged, by use of props, lighting and sound, rather than elaborate sets. |
| Synopsis | The classic gothic tale is authentically brought to life, as young lawyer Jonathan Harker is sent to a Transylvanian castle to meet with the mysterious Count Dracula, who is planning to move to England. But he doesn't realise that the Count has a taste for blood... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Dracula - A Pain in the Neck by Daniel Krueger & Elwood Johnson |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 23. Chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | Sheet music for 18 original songs plus incidental music is supplied with the Producer's Copy of the script. |
| Style | Musical Gothic horror Melodrama! |
| Synopsis | A faithful translation of Bram Stoker's vampire classic to the musical stage, rendered in a melodramatic style! |
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| Extras | The following additional items are available (at extra cost) to go with this script:
** Conductor's score and band parts (Perc., Bass, Cello, Violin, Reeds 1 & 2, Trumpet, Trombone, Piano & Synth) for Dracula - A Pain in the Neck. Music by Elwood Jay Johnson, orchestrated by Wade Clark.
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| Dracula - The Final Countdown by Geoff Bamber |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 35. Chorus. Very flexible cast, with a mixture of speaking and non-speaking parts, opportunities for doubling and opportunities for changing the gender of some of the characters. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A comic and melodramatic retelling of Bram Stoker's story as a full-length play for kids. Sets can be relatively simple, but a fair number of props are required - coffins, that sort of thing. |
| Synopsis | Solicitor Jonathan Harker finds himself despatched to Transylvania to sort out a property deal for a mysterious Dr. Acula. On arrival, Harker realises that that he has been the victim of a misprint, but he is so charmed by his welcome that he fails to realise that he has become something of a prisoner. Harker's plight is made more acute by the attentions of the Brides of Dracula, a voracious trio, who appear to have less than honourable intentions. With the improbable assistance of Dracula's servant, Igoretta, Harker escapes and returns to England, where, shortly afterwards, his fiancé finds herself in the company of a mysterious foreign gentleman. Little does she realise what is at stake... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Dream! by Jack Shaw
New |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Ten on-stage characters plus two offstage voices, which might be pre-recorded. |
| Run Time | Around 121 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy. Act 1 follows the rehearsal process of a rural amdram society, Act 2 presents their take on A Midsummer Night's Dream. |
| Synopsis | Cowmoor Comedy Crew, a rural amateur group with a history of failure, can only dream of winning the County Drama Cup. New director Mo offers to direct them in a sixty-minute version of A Midsummer Night's Dream. They're not keen on the Bard, but Mo shows them that Shakespeare can be a lot of fun to act, as well as very funny to watch. |
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| Dummy Cabs by S. P. Franksson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four on-stage characters, seven live voices (which could, conceivably, be played by one male actor) plus a recorded message. |
| Run Time | Around 114 minutes. [Estimated!] |
| Music | None. |
| Style | A fun full-length comedy with likeable characters in a single taxi office setting. |
| Synopsis | It's the 1990s and Dermy Cabs is under threat from a competitor. Beryl, the overworked switchboard operator, struggles with phone, radios and in-person customers whilst trying to keep the company's drivers under control, especially Bob, whose wife has kicked him out of the house. |
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| Eating Out by Roger Hodge |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 20. No chorus. The parts of Dennis and Donald must be played by the same actor. The parts of Jade and Jane must be played by the same actor. (Several other roles might be doubled.) There is a walk-on with a mop and opportunity for extras. |
| Run Time | Around 101 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play in three acts, with one split set. Contains mild swearing. |
| Synopsis | Two couples encounter each other in a café at a stately home where a pompous gentleman's dignity is bruised. One of those couples meets another couple in a French restaurant in the suburbs where love first blossoms. Finally all three couples visit the same Greek holiday island and find themselves together in a Greek taverna where embarrassments of the previous encounters are brought to the table and mayhem reigns as their hotel burns down. |
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| An Elliot Steinway Mystery by Gary Diamond |
| Roles | Minimum Male roles = 11. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 20. No chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length farce, a parody of murder mysteries with labyrinthine plots! Contains mild swearing and many shots in the dark. |
| Synopsis | Henri Gilbert is dead, and his will asserts that he was murdered. Unless all those who stood to gain for his death remain at his mansion for a fortnight, his money will go to charity. During those two weeks, Elliot Steinway, the TV detective (or rather, Donald Smart, the actor who portrayed him) must unmask the murderer and win the fortune for himself. Aided only by the solicitor and his faithful sidekick Badger, he struggles through labyrinthine plots to get to the truth... probably. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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