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Good King Richard by Ian Dixon Potter |
Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. |
Run Time | Around 108 minutes. [Estimated!] |
Music | None. |
Style | A full-length historical drama. (A lot of locations, but simple to stage, give or take the butt of malmsey.) |
Synopsis | After the death of Edward IV, his brother Richard becomes Lord Protector and then King. Richard III is determined to be a good king, but his principles - out of place in the royal court - enable challengers including Henry Tudor to plot his downfall. A counterpoint to Shakespeare's Richard III (which was based on the testimony of Richard's greatest enemy), Good King Richard sets the historical record straight. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Goodbridge Million by Sean Dooley |
Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Full-length comedy play. One set, split between three distinct locations. |
Synopsis | After years of discussing the same old issues, the Parish Council of the hamlet of Goodbridge is suddenly handed the amazing news that a foreign benefactor is giving the village one million pounds to be spent according to the villagers' wishes. The councillors organise a meeting to allow people to present their proposals for the use of the money, then hold a secret ballot. Unfortunately for the nursery extension, the sports hall and the new church organ, there is an outbreak of tactical voting and the proposal to host the world Scrabble championships wins by a landslide. But never mind all that - the important questions are: can Will ever pluck up enough courage to ask Persephone to marry him? and how will his school play turn out? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Green Things in Space by Paul Gisby |
Roles | Minimum Male roles = 5. Minimum Female roles = 7. Minimum total with doubling = 12. Minimum total without doubling = 14. No chorus. In addition to the on-stage characters, two people appear on video and there are several voice-overs. |
Run Time | Around 105 minutes. [Estimated!] |
Music | None. |
Style | Full-length play. Simultaneously comic and poignant. Stage (and action) split between a modern hospital and the deck of a sci-fi spaceship! |
Synopsis | Stan is in hospital, suffering from the effects of years of working with asbestos, but he lives on in his unpublished science fiction epic - an unintentionally hilarious account of a galactic war. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Grimm Night for Hans Christian Andersen (Musical) by Sue Gordon |
Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 23. Minimum total without doubling = 40. No chorus. Lots of speaking parts, but few characters per scene so easy to structure small rehearsals. Whilst it does not require a chorus, there is scope for extra characters in a few of the scenes. Some of the characters sing! |
Run Time | Around 90 minutes. [Estimated!] |
Music | Sheet music for 7 original songs and 3 pieces of incidental music is provided with the producer's copy of the script. |
Style | Comic retelling of fairytales as a musical play. Many scenes, but using the same few pieces of 'set furniture'. Simple props. |
Synopsis | Hans Christian Andersen gets an unexpected visit from the Brothers Grimm - who seem to be upset over the matter of stealing story lines. A competition ensues, with characters from Andersen and Grimm stories taking the stage - often in unexpected ways. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** Backing tracks of songs from the show as MP3 files ** Soundtrack CD - vocal performances of songs from the show ** Backing tracks for the 7 songs and 3 pieces of incidental music for 'A Grimm Night for Hans Christian Andersen' ** Vocal tracks for the 7 songs (plus 3 pieces of incidental music) for 'A Grimm Night for Hans Christian Andersen' by Sue Gordon. (Arrangements by Dave Watt, vocals by Leanne Cooper and, Jonny & Stuart Ardern. Recordings by Dave Watt and Jonny Ardern.) ** A zip file of backing tracks for the 7 songs and 3 pieces of incidental music for 'A Grimm Night for Hans Christian Andersen' ** Vocal tracks for the 7 songs (plus 3 pieces of incidental music) for 'A Grimm Night for Hans Christian Andersen' by Sue Gordon. (Arrangements by Dave Watt, vocals by Leanne Cooper and, Jonny & Stuart Ardern. Recordings by Dave Watt and Jonny Ardern.)
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Click here to read the script or Click here for more details. |
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A Grimm Night for Hans Christian Andersen (Play) by Sue Gordon Best Seller |
Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 23. Minimum total without doubling = 40. No chorus. Lots of speaking parts, but few characters per scene so easy to structure small rehearsals. Whilst it does not require a chorus, there is scope for extra characters in a few of the scenes. |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Comic retelling of fairytales - many scenes, but using the same few pieces of 'set furniture'. Simple props. |
Synopsis | Hans Christian Andersen gets an unexpected visit from the Brothers Grimm - who seem to be upset over the matter of stealing story lines. A competition ensues, with characters from Andersen and Grimm stories taking the stage - often in unexpected ways. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Guest House by P. B. Stenson |
Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 16. No chorus. Fifteen on-stage roles plus an offstage voice. |
Run Time | Around 87 minutes. [Estimated!] |
Music | None. |
Style | Full-length play in a single bedroom set. An episodic structure (because all the guests can't occupy the same bedroom at the same time.) |
Synopsis | Clara and Will have bought the Guest House at Number 13, a new business venture for them. They find that there is a lot of on-the-job learning to do - for example, they have to decide what to do with the stash of old twenty pound notes in the hidden wall safe, not to mention the peculiar behaviour of their guests. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Haunted Cabin by Matthew Lynch |
Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 15. No chorus. |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | A tense ghost story in two acts and a single set. |
Synopsis | When Emily, Joe and Danny stumble across the isolated cabin on Shantler's Peak all is not as it seems. Strange noises and sinister apparitions plague the stranded inhabitants, who desperately seek a rational explanation. Will they survive the storm until help arrives, or just become the new eternal residents of the haunted cabin? A sinister play with a twist that will fool your audience right to the end - one of the characters is a ghost and cannot be seen or heard by any of the others. He appears to be speaking to them, when in fact he is not. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Haunted Haunting by Herb Hasler |
Roles | Minimum Male roles = 8. Minimum Female roles = 7. Minimum total with doubling = 14. Minimum total without doubling = 15. No chorus. |
Run Time | Around 106 minutes. [Estimated!] |
Music | None. |
Style | A full length comedy with a single setting. |
Synopsis | Two spirits, Mona and Edgar are bemused as to the manner of their deaths. Medium Mona uses her skills to summon up a host of oddball spirits to try to find the answer. Meanwhile a new family move into the house and many confusions ensue. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Heart-Shaped Cushion by Louise Wade |
Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 21. No chorus. The patients can be any age from about thirty-five to sixty-five. Beth and Tom should be about the same age. Doubling and trebling-up is possible with a minimum of one man and six women |
Run Time | Around 67 minutes. [Estimated!] |
Music | None. |
Style | A one act drama following a patient's experience with breast cancer, through chemo and physiotherapy, to exiting the treatment. |
Synopsis | Along the way we meet people dealing with similar experiences. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Henry V Revisited by David Baldwin |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 23. Minimum total without doubling = 39. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | A full length revised version of the Shakespearean play. |
Synopsis | Shakespeare's famous play about the battle of Agincourt is updated, and Chorus reveals and explains the historical facts. The essentials of the original play are covered and the 'St. Crispin's Day' speech is retained unaltered. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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