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Call To Duty by Nettie Baskcomb Brown
The original production won the Five Counties and Mercia division trophies and was a semi-finalist in 2014 All England Theatre Festival, winning adjudicator's award for excellence. |
| Roles | Minimum Male roles = 10. Minimum Female roles = 5. Minimum total with doubling = 16. Minimum total without doubling = 31. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | Award winning One Act play for youth theatre with various (simple) settings. |
| Synopsis | Sam is bored by his school history and drama lessons about the First World War, but through his brother's console games, he learns more than he expected.
The play vividly brings to life the bravery of ordinary soldiers who fought in World War One by merging modern virtual war games with the shocking reality of the WW1 trenches and using comedy and tragedy to take actors and audiences on an emotional, thought provoking journey. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Camelot - The Knights of the Square Table by Richard Coleman
Performance by Hyde Little Theatre won the Greater Manchester Youth One Act Festival, 2014 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 19. No chorus. Characters include various knights (one of whom is definitely female, and others who could well be) and a dragon. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A comic compilation of Camelot characters in a rhyming romp round the realm. |
| Synopsis | Camelot is under attack from the Black Knight - not only that, there's the dietary requirements of a dragon to take into consideration. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Captain Bluebeard's Monkey by David Pemberton |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 16. Chorus. Chorus size very flexible, at the Producer's discretion |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A one act piratical fantasy comedy. |
| Synopsis | The eponymous monkey uses his guile to thwart the late Captain Bluebeard's swashbuckling crew in their attempts to discover Bluebeard's treasure - which is not what it first appears to be. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Captive Audience by Jenny Gilbert |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play with a serious - even sinister - twist. Single simple set (give or take the table anchored to the floor). Includes mild swearing. |
| Synopsis | Tom's on a short residential course as part of his Open University studies, and he's in a spot of bother, having been handcuffed to a table by a passing drunk. Other people on other courses gather around to help Tom in his hour of need, until Dave arrives to spill Tom's dark secret. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Carrie's Lions by Amelia Armande |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. 'Carrie' appears in three guises - as a narrator/protagonist, as a child and as an adult. 'Michael' appears as narrator/protagonist and as an adult. There are two small non-speaking roles. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with plenty of technical and acting challenges! Whilst it is not formally divided into scenes, there are five locations - indicated symbolically by props and furniture. |
| Synopsis | Through a series of conversations with her guardian angel, Carrie tries to come to terms with the death of her father. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Chaotic Christmas Carol by Richard Coleman |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 16. Minimum total without doubling = 23. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act verse play, rearranging Dickens. |
| Synopsis | 'A Christmas Carol' is given a huge twist to show Scrooge as a determined do-gooder, despite the machinations of wicked embezzler Bob Cratchit and the forlorn ghost of grasping Jacob Marley, plus assorted spirits. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Chekhov's Shorts by Anton Chekhov, adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of five short plays based on short stories by Anton Chekhov. |
| Synopsis | A Lottery Ticket adapted from the story of the same title
A Meeting on a Train Loosely adapted from 'An Enigmatic Nature'
Difficult People adapted from the story of the same title
Natalie’s Vacation adapted from 'A Tripping Tongue'
I’m Famous based on 'Joy' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Christmas at Thompson Hall by Anthony Trollope adapted by Peter Bond |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. The hotel staff are written male, but could be played female. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A 25-minute comedy, based on the story by Anthony Trollope. Two simple sets. |
| Synopsis | On the 23rd of December, 1872, Mr and Mrs Brown arrive in a hotel in Paris, as does Mr Jones. They all need to travel to England early the following morning. Due to a mix-up during the night, Mr Jones believes Mrs Brown has tried to murder him, which makes everyone's journey - and the following revelations - all the more uncomfortable. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Christmas Carol [Play for Schools] by Damian Woods |
| Roles | Minimum Male roles = 13. Minimum Female roles = 5. Minimum total with doubling = 30. Minimum total without doubling = 44. Chorus. Whilst some of the characters have specific ages, this is an indication for the purpose of costume and make-up rather than for casting! |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | The producer's copy of the script contains suggestions for the use of 7 carols. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act play for children, faithfully adapting the classic Dickens story. Simple sets (furniture) reconfigured between or during scenes. |
| Synopsis | On Christmas Eve 1843, the miserly Ebenezer Scrooge is visited by three ghosts, who help him see the error of his ways. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Christmas Carol [Version 4] by Anthony Paul Lashley |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 18. Chorus. The number of carol singers is unspecified. The author suggests (but does not insist) that when Scrooge is reformed, he might be played by a different actor to emphesise the change! Something for productions to play with. |
| Run Time | Around 57 minutes. [Estimated!] |
| Music | Lyrics to a number of (out-of-copyright) carols are embedded in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play with songs. Multiple locations, but indicated by lighting and furniture rather than full-stage sets. |
| Synopsis | Dickens' Christmas tale of redemption is given a little comic twist and run at a smarter pace, but still delivers the required moral lesson along with the laughs. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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