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| The Hound Of The Baskervilles [Version 2] by Matthew Harper |
| Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 11. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | A full length Victorian thriller, with various settings and many short scenes. |
| Synopsis | A fast paced dramatisation of the Conan-Doyle favourite, moving quickly and effortlessly from Holmes' cerebral consideration of the case, to the perils awaiting him and Dr Watson, not to mention Sir Henry Baskerville on Dartmoor. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Hound Of The Baskervilles by Richard Coleman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act rhyming humorous play, freely interpreting the original story. |
| Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Hour You Won't Get Back by tlc Creative |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 41. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of comedy sketches. |
| Synopsis | Nineteen sketches, each running between 1 and 5 minutes. No particular theme other than a desire to make the audience laugh! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Howard Does His Best by Geoff Parker |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. The 10 'soldiers' are gender non-specific. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy suitable for performance by teens and chldren. |
| Synopsis | At the school dance, Howard, egged on by Wayne and Dave, sets out to cross the dance floor to ask Chardonnay (the most beautiful girl in the school) for a dance, but on the way various bits of his body begin to let him down. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Humbug by Geoff Bamber |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 18. Chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Charles Dickens' A Christmas Carol presented as a short comedic play for kids. |
| Synopsis | When Jacob Marley dies he keeps his promise to come back and haunt his mean-spirited business partner, Ebenezer Scrooge. Scrooge has a particularly parsimonious attitude to Christmas and this reflects itself his treatment of his long-suffering employees, Bob and Molly Cratchit. In case Jacob's efforts to get Ebenezer to change his ways don't meet with success, he enlists the help of three ghostly friends. Will Christmas still be humbug or will Ebenezer see the light? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Hunter And The Hunted by JPS Yates |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Two non-speaking roles. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A full length, emotive drama, set during the First World War. |
| Synopsis | A hunting party on General Franklin-Davies' Scottish estate in the early years of World War One, poignantly and dramatically presages events that the party are to experience in the trenches. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Hunting Death by Nicholas Richards |
| Roles | Minimum Male roles = 5. Minimum Female roles = 0. Minimum total with doubling = 5. Minimum total without doubling = 8. Chorus. The narrator's role could be split amongst several actors. There are opening and closing choruses which could be performed by the ensemble or by additional actors/singers. |
| Run Time | Around 25 minutes. [Estimated!] (The estimated run time assumes the music; without music it could be performed in 12 minutes.) |
| Music | The music is designed to run continuously, so there is one 25-minute score. (It is divided into sections for rehearsal purposes.) |
| Style | A short musical play, retelling the Pardoner's Tale from the Canterbury Tales. (Could also be performed as a verse play without the music.) |
| Synopsis | This drama recounts the story of three young men who bestir themselves from their wine-sodden lives to hunt and kill Death, but instead fall victim to him through greed and treachery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** CD with full backing track (25 minutes) and full sung demo for Hunting Death by Nicholas Richards.
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| Click here to read the script or Click here for more details. |
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| I Have A Vision by Stewart Boston |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts, informed by the three years the author spent working on two reserves in Saskatchewan. |
| Synopsis | Two years on a reservation in Canada, as the elections bring a new chief with a new vision, but Richard can't offer the people the same good times his predecessor Gerald did. He wants them to think long term and to make changes for their children's future.
A moving play, throwing new light on an old struggle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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