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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Train to Sleepy Hollow by David Pemberton |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 15. Minimum total without doubling = 19. Chorus. Variable Chorus size at the Producer's discretion. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | Music and song suggestions for eight pieces are provided in the Producer's copy of this script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy spoof play, with music, in various settings. |
| Synopsis | When Arthur is summoned by his Godmother to exorcise her house of spooks, he discovers a dastardly plot to frighten her off her valuable real estate. In the ultimate battle of innocence against the powers of darkness, Arthur destroys the black heart of the Bigwitch, finds true love, restores Spooky Hollow to his Godmother and catches the last train home! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Life Goes On by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 44. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 19 comedy sketches (ranging in duration from 4 minutes to 9 minutes). Few set requirements. There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, love, work and cream cakes.
All of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lions Versus Elephants by Graham Dillistone |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. 4 onstage characters (2M, 2F), plus 5 (2M, 3F) who are voice only and may be pre-recorded. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy, presented as three acts, on a single (living room) set. |
| Synopsis | Bernard follows the book 'Man is a lion, woman is an elephant', but his dinner guests Gerald, Ann and Peggy will test his beliefs. Gerald and Ann’s marriage falls apart, Peggy preys on both men, and Bernard misses the simple life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Little Elfin Magic by Donna Brightwell |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Whilst some of the characters are written as male or female, this is largely a matter of personal pronouns, so the script can easily be adjusted to accommodate anything from ten boys through to ten girls. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act (well, technically two acts, but of one-act play length!) secular Christmas play. Aimed at junior school children, but could enjoyably be played for laughs by older groups! |
| Synopsis | It's September and the Elves in Santa's toy workshop are in a spot of bother - they've only just woken up after their New Year Party and they have three months to make a year's worth of toys. Worse still, could the new department member be a spy? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Losing Count by Alan Hargreaves |
| Roles | Minimum Male roles = 7. Minimum Female roles = 2. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. Eleven on-stage characters plus a brief offstage voice, which might be recorded. |
| Run Time | Around 108 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play in a single set. A balance of fun farcical comedy and satisfying character development. |
| Synopsis | Oli is the producer at a low-budget TV station attempting an ambitious live election night broadcast. But the show starts to go downhill when the guests don't show up, the host gets drunk, and a reporter picks a fight with a lager-lout. With so much happening, it can only be sabotage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Losing Purpose by Jim Pinnock |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Ten speaking parts, two non-speaking (who could double with other roles). |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | Short light comedy in a single set. |
| Synopsis | Having abandoned his car, a man is desperate to find someone who can direct him through the tortuous one way system and back on the road to London. Everyone is willing to stop and talk, but no one has the help he needs. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'Losing Purpose' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Click here to read the script or Click here for more details. |
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| Lotta Crabtree! by Gerald P. Murphy |
| Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 18. Minimum total without doubling = 22. Chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Sheet music (piano and vocal) for 19 songs is included with the Producer's Copy of the Script. |
| Style | Full-length light musical comedy, set in the California Goldrush |
| Synopsis | A fantasia on the real life of Lotta Crabtree, who, as a child, made her living (and her mother's living) touring her song and dance act around the mining camps of the California goldrush. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Love by John Collings |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. The chorus of dancers is optional. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act romantic comedy drama with a single multi-functional set. |
| Synopsis | A young girl dreams of finding real love and breaking away from her dominant mother. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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