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| Can We Stop It There? by Trevor Suthers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play/sketch. Bare stage set (could even be done front of tabs). Contains some swearing. |
| Synopsis | A play about a director directing a play about a director directing a play about a director directing a play about... er... well, that's not important really. Can I try that again from my cue? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Children's Christmas Carol by Richard James |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute play. No set requirements. |
| Synopsis | Charles Dickens' festive classic much abbreviated as a play for an audience of young children, to be performed by a cast of adults (or possibly by a company of older children.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Class Divide by Damian Woods |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two adult roles (teachers) and one role for a 14/15 year old (the student). |
| Run Time | Around 13 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama on a single (teacher's office) set. No props required. |
| Synopsis | A passionate teacher tries to show a troubled pupil the error of his ways before it's too late and his future is compromised. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Close Family by Iris Winston |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A powerful short drama giving us a sensitive take on the socially unacceptable subject of incest. Stage split between two domestic locations. |
| Synopsis | Janet, a young university student, is looking forward to her return to university after the summer break. She has exciting plans to move out of the halls of residence in Vancouver to live with her divorced father, Peter who has set up home there with his new partner, Janet’s pregnant Aunt Anne. Back home in Ottawa, Peter's divorced wife Carole is horrified to discover Janet's plans and does her utmost to dissuade her daughter from joining the incestuous home. Janet is insistent that her move to her father's house is in her best interests until she arrives and to her dismay the horror of her mistake is revealed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Coming Home by Roger Woodcock |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The main characters are an aged father and his son. The Tea Lady is a very brief cameo. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play, set in a private room in a nursing home. (Which could be indicated with the minimum of detail.) Contains mild swearing. |
| Synopsis | Barry's Dad is in hospital, his mind slipping back and forth through time. Barry needs him to sign some forms, but he can't help but be interested in spectres from the past that he's not heard of before. Until one secret catches him by surprise and changes everything. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Coming of Age by Jack Oliver |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The teenage character is written as male but could be played as female. The middle-aged character can be played by a teenager if used for youth theatre, |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (bedroom) setting. US English. Some strong language. Suitable for youth theatre. |
| Synopsis | Allan makes his best attempt to rekindle the relationship with his teenage son Jordan, as they suffer from an emotional disconnection after the death of Jordan's mother. Jordan finds himself struggling to balance schoolwork and a social life while maintaining his dwindling mental health. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Corner Property by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characters are written male. The character with the pack would be the easiest to change. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. Single set (with no requirements - could easily be played front-of-curtain. Contains swearing. |
| Synopsis | Joe and Peter, two former soldiers, beg for change on a street corner and watch the world pass them by - whilst underneath, there's a power struggle going on. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Crime by Janet S. Tiger |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Christine is written female, but could become a male Chris at the discretion of a production |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama consisting of three connected monologues. |
| Synopsis | Three people talk about their connections to the same killings. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Daily Habits Mask Pain by Mildred Inez Lewis
Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play with a single (living room) set. |
| Synopsis | Greta and Harry struggle with their differing feelings about their jailed son and his heinous crime. Their daily routines help them through their pain and help re-establish their fractured relationship. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Date by Franco Ambriz |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Filomena may be dead, but she has a speaking part! |
| Run Time | Around 15 minutes. [Estimated!] First staged reading ran to 25 minutes. |
| Music | None. |
| Style | A powerful, intriguing, American one act drama with a single (apartment room) set. Some strong, but appropriate language. |
| Synopsis | A psychological drama digging into a family's past and its effect on their present. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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