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| Oh Frabjous Day by Maeve Edwards |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama on a simple set. |
| Synopsis | Emma visits her ex Mark in a hospice to tell him she had his baby when she was eighteen and kept it a secret from him. The girl, Alice, had been adopted but has now come looking for her biological parents. Mark, whose life could possibly be saved if a bone marrow donor is found, is angry at Emma’s deceit, not getting the significance that Alice could possibly be his saviour. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Olympian Myths by Tony North |
| Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 15. Minimum total without doubling = 30. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute, large cast play for schools in the style of Ancient Greek drama. (Appropriate for the English National Curriculum KS2 History topic Ancient Greece.) |
| Synopsis | A brief introduction to some of the gods of Greek legend |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| On A Street Corner by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are 'Man, Boy and Girl' with an implication of relative ages, but not absolute ages! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute play. Single set (representing a street corner, but no real set requirements). |
| Synopsis | Street corner preaching meets the Da Vinci code in a brief examination of religious truth and meaning. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Other Side by Iris Winston |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short play for youth theatre, a story, but with a strong moral core. |
| Synopsis | Ruth is visiting an Art Gallery as part of the school field trip, when she sees a picture of a cabin that looks familiar. She falls into the painting and meets Narg, who takes her back to something she doesn't want to remember. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Out Of Print by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short two-hander drama with a simple living room set. |
| Synopsis | Erica Brightman was once a famous children’s author, and her books, The Adventures of the Lucky Sevens, once graced library shelves across the country. Now that her books are out of print, she is shown the door by suspicious librarians, and takes sanctuary with her imaginary young listeners. But all is not lost. Her last surviving fan, Colin Chadwell, is busy writing her a letter that she will never forget. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Over the Top by Geoff Parker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama set in a First World War trench. |
| Synopsis | As a seasoned sergeant and a young recruit wait for the signal to go over the top they console each other about the position they are in. A sharp reminder of the folly of war with a very surprising ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Peterloo Principle by William Campbell |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with minimal set requirements. |
| Synopsis | A manager is having trouble seeing past the firm’s regulations when it comes to a friend’s problems, so she takes him back to the Peterloo massacre in 1819 to give him some perspective. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Plan by Sue Gordon |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Monologue for a teenage girl. Single set (her bedroom) can be represented minimally. Simple props. |
| Synopsis | The plan was hatched between Donna and her friend Kaylee, and at the end of it, one of them was going to be going out with Danny, the swimming pool lifeguard. But which one? And would things actually go to plan? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Point of Departure by Mike Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The cameo role - the acquaintance - is written male, but could be of either gender. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play set in a car. How the car is realised is left to the discretion of the producer - though the script does empahsise that cars tend to make a noise. |
| Synopsis | Bill and Jane are dropping off an acquaintance when he makes an innocent remark. Bill suddenly realizes there's something he doesn't know about Jane, something small but significant and he wants to talk about it more than he wants to drive home. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Potted Austen: Emma by Lou Treleaven |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 13 minutes. [Estimated!] |
| Music | None. |
| Style | A short adaptation of Jane Austen's Emma. |
| Synopsis | A short, humorous adaptation of Jane Austen's Emma, covering all of the relevant events and characters with minimal staging requirements. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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