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Kids in Lurve by Bill Siviter |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 15. No chorus. Lots of flexibility for either doubling characters or splitting the narrator's role amongst several actors. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Rhyming play, delivering a rapid, modern and informal version of Shakespeare's 'The Taming of the Shrew'. Multiple scenes, but little required by way of set or props. Set in the north-west midlands, but could easily be moved to your home town! |
Synopsis | Bianca is sweet and pretty. All the lads fancy her. But standing in the way, there's Bianca's acid-tongued sister, Kate, and who can tame Kate? Well, since there aren't many lads called Petruchio these days, the modern-day volunteer is Shane. The course of true love never did run smooth (but that's another story). |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Kids in Tights - The Play by Bill Siviter Performance by Ormlie Community Group won the SCDA, Caithness district, 2010 (also picking up the trophy for best ensemble). |
Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 11. No chorus. A chorus could be added as an optional extra for the ball scene and for the gangs of Montagues and Capulets. |
Run Time | Around 20 minutes. [Estimated!] The ball and fight scenes can be extended. |
Music | None. |
Style | Romeo and Juliet told as an irreverent verse play, told by the protagonists and by narrators. A good introduction to Shakespeare's story! (The specified run-time is the minimum - extending the ball and the fight will add time!) |
Synopsis | Shakespeare's Romeo and Juliet condensed into a twenty-minute verse play for kids. Boy meets girl, love overcomes the family feud - but only for the lovers. Swordplay turns rivals into kebabs. Mistakes are made and the heroes die. (You see, it's a soppy love story.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The King's Twelve Huntsmen by Olivia Arieti |
Roles | Minimum Male roles = 3. Minimum Female roles = 13. Minimum total with doubling = 18. Minimum total without doubling = 18. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A short adaptation of Grimm's fairytale - 'The Twelve Huntsmen'. |
Synopsis | Princess Constance disguises herself as a huntsman, to gain the attention of Prince Donald who is betrothed to another. All works out well in the end. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Kit Kat Man by James Addis |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | An efficient spy drama - like a compact Le Carré. Realistic dialogue leading to a surprising but well-planted twist. Simple set - another chance to wheel-out the park bench. |
Synopsis | Moscow, near the end of the Cold War. Paula Wilson seeks to coax the defector Gerald Soames back to Britain, ostensibly as a means of undermining the intelligence Soames has given to the Soviets. In reality, her motives are more sinister. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Knight in Shining Armour by Jos Biggs |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. The dragon and the horse are nominally male, but they are, after all, a dragon and a horse (and the horse is made from two people), so casting aginst gender is the least of the production's problems. |
Run Time | Around 16 minutes. [Estimated!] |
Music | None. |
Style | Comedy sketch (a long sketch or a very short play!) with minimal set requirements (although it does require a rock and chains). |
Synopsis | A not-so-heroic knight is on a quest, but when he finds a maiden to rescue, the prospect of going up against an actual fire-breathing dragon is a bit much for him. Luckily for her, there's another option. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Knock by Elisabeth Marrion |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 14 minutes. [Estimated!] |
Music | None. |
Style | Dramatic monologue. |
Synopsis | Alma Zenick moved from Germany to England in the 1870s to work as a furrier. Decades later, in the first year of World War One, she awaits news of her sixth son. The other five have died in action, and she dreads receiving bad news about her last boy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Ladies at the Seaside by Hilary Mackelden |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Short one-act drama on a simple set. Plenty of scope for the two actors to explore the emotional range. |
Synopsis | Maureen and Dot meet on a trip to the Eastbourne seafront. Dot is being bullied and robbed by her daughter and son-in-law, and Maureen helps her build up the confidence to take back control of her life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Lambton Worm by Timothy Hallett and Nicholas Richards |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
Run Time | Around 20 minutes. [Estimated!] |
Music | A 40-page musical score is included with the Producer's Copy of the script. |
Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
Synopsis | The tale of the wild worm of Wearside and its grisly end. It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.) ** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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Click here to read the script or Click here for more details. |
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Language Lessons by Nicholas Richards |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 23. No chorus. There are two consistent characters throughout (plus an offstage voice). The rest are brought on for each 'lesson' so the 'Englishman' could be played by a different character in each scene (and need not be male). |
Run Time | Around 18 minutes. [Estimated!] |
Music | None. |
Style | Prologue and eleven short comedy skits with no requirements for set. Could be done as written (one continuous performance) or could be split across a sketch show as a running gag. (Contains caricatures, silly accents and foreign words!) |
Synopsis | Polly and Glott present an informative (and amusing) look into the necessity for having some skill with a foreign tongue. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Last Duchess by Iris Winston Won first prize in the Ottawa Little Theatre National Playwriting Competition. |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A short stage adaptation of Robert Browning's poem, My Last Duchess. |
Synopsis | The spirit of a murdered wife steps from her portrait to try and warn the next fiancée of the fate that awaits her. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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