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| How Things Turn Out by Bob Hammond |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Three principal female roles and two small roles (1M, 1F). |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | An engaging single set one-act drama with good dialogue, this digs deep into the apparent relationships between three women before a couple of well-placed reveals make us reassess them. |
| Synopsis | Judith and Sarah have been invited to a meeting with the solicitor of their sister Pauline, and don’t know why. Pauline’s neighbour and best friend Lisa is also invited. As the three wait to be called in to the conference room, tensions simmer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The Hunter And The Hunted by JPS Yates |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Two non-speaking roles. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A full length, emotive drama, set during the First World War. |
| Synopsis | A hunting party on General Franklin-Davies' Scottish estate in the early years of World War One, poignantly and dramatically presages events that the party are to experience in the trenches. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hunting Death by Nicholas Richards |
| Roles | Minimum Male roles = 5. Minimum Female roles = 0. Minimum total with doubling = 5. Minimum total without doubling = 8. Chorus. The narrator's role could be split amongst several actors. There are opening and closing choruses which could be performed by the ensemble or by additional actors/singers. |
| Run Time | Around 25 minutes. [Estimated!] (The estimated run time assumes the music; without music it could be performed in 12 minutes.) |
| Music | The music is designed to run continuously, so there is one 25-minute score. (It is divided into sections for rehearsal purposes.) |
| Style | A short musical play, retelling the Pardoner's Tale from the Canterbury Tales. (Could also be performed as a verse play without the music.) |
| Synopsis | This drama recounts the story of three young men who bestir themselves from their wine-sodden lives to hunt and kill Death, but instead fall victim to him through greed and treachery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** CD with full backing track (25 minutes) and full sung demo for Hunting Death by Nicholas Richards.
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| Click here to read the script or Click here for more details. |
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I Believe In Angels by Tony Domaille
Octopus Youth. Bristol One Act Festival Best Youth Play award 1994. Runner up in the Five Counties One Act Festival 1994. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, suitable for youth theatre, with a single (garden of remembrance) setting. |
| Synopsis | A group of teenagers meet to have a séance and call up the spirit of Steve, their friend who has died. Between them they confront their grief, fear, and what they can and cannot believe. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Have A Vision by Stewart Boston |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts, informed by the three years the author spent working on two reserves in Saskatchewan. |
| Synopsis | Two years on a reservation in Canada, as the elections bring a new chief with a new vision, but Richard can't offer the people the same good times his predecessor Gerald did. He wants them to think long term and to make changes for their children's future.
A moving play, throwing new light on an old struggle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Love You When It's Raining, Roy G Biv by Martin R. Collin |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 14. Chorus. The chorus covers a school class, a choir and a funeral congregation, so very flexible numbers!
The structure of the story implies a mixture of adults and children, but of course it could be performed by a youth company. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | A couple of public domain songs are suggested for use in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play with various simple settings. |
| Synopsis | Roy is that inspirational teacher everyone remembers. He arrives at a small school in Ohio and immediately makes a mark on every pupil he comes into contact with. His death is sudden and unexpected but his spirit lives on as his pupils move into adulthood. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Really Need This Job by Iris Winston |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Three on-stage female characters and the off-stage voice of the male would-be employer. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama exploring issues younger and older women face in the world of work. Set in Canada (but permissible change of a word or two could put it anywhere else). |
| Synopsis | A new graduate and an older woman, who's been out of the job market for a number of years, have applied for the same job and meet while they are waiting to be interviewed. Will either be employed? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Stand Alone by Kevin Broughton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts. Four locations, but designed for minimal staging. Contains mild swearing. |
| Synopsis | An allegorical play.
In the far future, Britain has been ravaged by an external conflict and a civil war between the returning Celts, who restored the country, and the native Saxons who feel they have been pushed aside. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| If The Shoe Fits by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play, with a rehearsal room setting. |
| Synopsis | Vicky and Sam are both trained dancers and actresses, auditioning for the part of Cinderella in a production called 'Cinderella Ballerina'. When they meet each other inside the audition room they begin to have doubts. Will they get the part they have always coveted? Will they actually want the part - once the director has revealed his ideas? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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