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| Emporium 3 by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play. Single (store) set. Part of a series set in the same bizarre venue. (A couple of remarks refer back to previous events, but can easily be changed to allow this to run as a stand-alone play.) |
| Synopsis | Candles and romance are waxing strong in Mme Dressoir's strange little shop, but customer dissatisfaction looms large, hindering growth and leading to broken promises and broken hearts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The End of the Pier by Richard James |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three generations - target ages, 20, early 40s and early 60s. (Whilst this is intended to be played 'to age', it might be within the compass of the older echelons of a youth theatre group.) |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single set (enough to suggest the location). |
| Synopsis | An exploration of the relationships and struggles of three generations of women. Cynthia has experienced a betrayal that changes her life dramatically and her daughter Mandy is determined to stay strong and pull her family back together. Billie, Mandy's daughter, is preparing to leave for university but has a secret to reveal before she goes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Everything All Right, Sir? by Nicholas Richards |
| Roles | Minimum Male roles = 14. Minimum Female roles = 6. Minimum total with doubling = 20. Minimum total without doubling = 26. No chorus. The characters are largely adults (with a few children), but intended to be played by a school group. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy (of a broad-brush, knock-about kind), set in a restaurant. |
| Synopsis | It's opening night at Jolyon's, a new restaurant. Jolyon and Leo are hoping for some customers, but they get a lot more than they bargained for, with a grumpy couple, the family from Hell, a paranoid man who hides under a table... In the end they're relieved to see a Policeman. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Exit Stage Left by Geoff Bamber
Performance by Castrand Youth, Kells won the Lochside Youth Theatre Trophy in the Stewartry District of the SCDA festival, 2017. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Characters are all high school students. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy for high-school-aged actors. Simple set. |
| Synopsis | A high school drama group arrive to rehearse a play. Their teacher, Mrs Finnegan, is indisposed so one of the group takes over the session. His efforts to conduct things seriously are undermined by his cast and the possibility of Mrs Finnegan being a serial killer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Explosion by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a single (kitchen) setting. |
| Synopsis | When a family is being torn apart and parent/teenager relations are at their most tense, will a crisis outside the family home help to repair the situation or will it be too late? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Fairy Tale Debate by Richard L. Sanders |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 23 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act satire in the style of a political debate. |
| Synopsis | Three candidates are running to be President of Fairy Tale Land, and though their names are different, you’ll recognise their stories. Host Andersen Grimm moderates a tense and sometimes rowdy debate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Family Vacation by Brooklyn Fredrickson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 15. Minimum total without doubling = 22. No chorus. The roles are a mix of adults and children, but the style would suit a school or large youth theatre company. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy in a single (tropical beach) set. (US English.) |
| Synopsis | Stan has taken his family on an exotic vacation, but his daughter is heartbroken, his son is petrified of sharks, and his wife won’t stick to the itinerary. The whole family have to learn to relax, or they’ll need another vacation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Far Away and Long Ago by Shari Gledhill |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional script with well-written dialogue that allows exploration of issues such as PTSD and family relationships without becoming overly sentimental. Good, thoughtful representation of deafness. |
| Synopsis | Harry, a homeless and deaf war veteran, intervenes when he sees Val being mugged at the bus stop. Harry is injured and so Val invites him home. But the arguments between Val's family cause great stress to Harry, which is worsened when Harry meets teenage Katie's new boyfriend. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Fifty Year School Trip by Alan J. Laing |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play, which can be split into two - if a break is needed. |
| Synopsis | Jenny and her gran are visiting the local museum and they look at a classroom from the 1960's, when Jenny's gran was a pupil. Jenny sits in the class when the others leave and finds herself transported back fifty years, where some things aren't that different at all... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fighting the Kaiser with Catapults by S. J. Edwards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama written for performance by older youth theatre students (16-19 year olds). Can be performed on minimal sets. |
| Synopsis | A series of vignettes follows three different men, their relationships with the women in their lives and their involvement in the First World War. The scenes take place at various intervals between 1914 and 1916. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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