|
| A Trip to the Beach by Sarah Cowan |
| Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 18. Minimum total without doubling = 21. Chorus. Characters are a mixture of adults and children, assumed to be played by children. The roles could be redistributed over a larger or smaller group. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | Song and incidental music suggestions included in the Producer's Copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Humorous tale of a contemporary school outing. Suitable for a full class production. |
| Synopsis | Miss Brown takes her class on an educational trip to the seaside. A diverse, argumentative group of children sets out to examine cliff-top habitat, an examination which comes too close to comfort for Miss Brown. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
|
|
| Truth and Reconciliation by Cassandra Newman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally-charged one-act drama set in a basement office. |
| Synopsis | Anita has come to the Baltimore Truth and Reconciliation Commission to tell the story of her son's death, only to find one of the people there to record her statement witnessed the death. The three characters struggle to find a path to peace and forgiveness in the aftermath of violence and fear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Twelve Months by Tony Best, adapted from Antonia Barber |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 19. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for junior/secondary school children, based on an Eastern European folk tale (translated by Antonia Barber). The author suggests a single set divided into three areas. |
| Synopsis | Marushka, the young stepdaughter of a widow, is always being ordered around and berated when she questions her stepmother's unreasonable requests. As punishment, her stepmother asks her to leave the house in January and only return when she has found a bunch of Violets - flowers which only grow in April. She dutifully acccepts, only to stumble upon the meeting-place of the twelve months of the year. They agree to help her, but when she returns with violets, her stepmother has more tasks for her... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Two Grunts For Yes by Jessica McHugh |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | The producer's copy contains one suggested piece of background music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A short one act comedy, with some strong language. |
| Synopsis | Some college students return home with a few extra pounds, tattoos, or disappointing grades, but when 18 year old Irene McManus returns to her conservative southern household with her new boyfriend Tommy, things get messy between her and her mother, Delia. She doesn't disapprove of Tommy because he's ill-mannered or bad with words. The fact that he's dead, however, whips the prim matriarch into a frenzy. Can Irene convince her mother to accept her zombie boyfriend? Or will Delia convince her daughter that zombie boys are only after one thing: her brains? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Underground by Jon Boustead
Production by Tykes won Best Youth Production (Teignmouth Drama Festival, 2017) |
| Roles | Minimum Male roles = 3. Minimum Female roles = 11. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. All cast should be of same or similar age. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller for youth theatre, with a single - crashed Tube train carriage - setting. |
| Synopsis | A group of youth-age children on a school outing are left to fend for themselves, as they find themselves trapped in a crashed tube train and their teachers are nowhere to be found. They all have to deal with the horror in their own way and they take the plot along through intermittent narration and action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
|
|
| Up the Garden Path by Barry Blaize |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act farce. Single set - quite complex to stage but the rewards are worth it! Contains mild swearing and drug abuse. |
| Synopsis | When Susan agreed to be on the end of the phone for Marie during a quiz, she thought she'd be a help. But she didn't give the right answer, and now Marie's husband wants Susan and Trevor to cough up the sixty thousand she didn't win... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Urban Hymns by Keith Badham
Performance by Up-Stage Theatre Company won Best Youth Actress award in the Bedfordshire One Act Play Festival, 2011 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 65. No chorus. The nine scripts have casts ranging from two to twenty, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is six. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Nine short scripts:
Introduction (Nominally twenty roles)
Bittersweet Symphony (Seven roles)
The Drugs Don't Work (Four roles)
Sonnet (Four roles)
Juliet (Two roles)
Romeo (Two roles)
There Is A Light That Never Goes Out (Five roles)
24 Minutes From Tulse Hill (Six roles)
Lucky (Nominally 15 roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Wait... What? by Ted Evans |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing |
| Synopsis | An Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Waiting for Twist Stiffly by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play which takes place on the set of a 1950s science fiction serial, but is really about actors and their relationship to their characters. |
| Synopsis | Filming of the 1950s adventure serial 'Twist Stiffly - Space adventurer' is being held up because the leading man is nowhere to be found. While the remaining cast members lounge around waiting for him to turn up, they discuss their roles in the drama and their dissatisfactions with the main man. Then they come up with a great way to fill their time until he arrives... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Warm Crayons by Ashley Harris |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a simple set. |
| Synopsis | Mr Hughes doesn't have the greatest patience as a schoolteacher but he does love his job. A routine student prank seems to be the trigger for a vile and immoral act. Is Hughes innocent or has he been hiding his evil ways all along? Warm Crayons questions the way the world looks upon physical and sexual abuse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|