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St Georgia and the Dragon by Andy Johnson |
Roles | Minimum Male roles = 14. Minimum Female roles = 9. Minimum total with doubling = 30. Minimum total without doubling = 30. No chorus. Characters include a two-headed dragon (to be played by two actors). |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Large-cast, one-act comedy for kids. Multiple locations, but could easily be staged with minimal sets. |
Synopsis | King Arthur (no, not that one) rules the kingdom of Amnesia, but he's plagued by a dragon and his out-of-condition knights are no help. Cue the arrival of the very female knight, St Georgia, and the recruitment of some of the palace ladies to see off the menace! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Stand and Deliver [Kids Play] by Geoff Bamber |
Roles | Minimum Male roles = 7. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 14. No chorus. The numbers are made flexible by the presence of the Earl of Scarborough's Guards (who stand around, look nervous and shout a bit. This is called acting.) |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | Comedy play for kids. |
Synopsis | Emily Jenks, a poor farmer's daughter, accidentally robs the King, finds herself mistaken for a notorious highwayman and consequently on trial for her life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Storm in a Spell Book by Gill Medway |
Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 20. Minimum total without doubling = 20. Chorus. |
Run Time | Around 37 minutes. [Estimated!] |
Music | No music is included, but points at which songs could be added if desired are suggested. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one-act comedy based on Shakespeare's The Tempest, with various settings. Suitable for performance by children. |
Synopsis | Survivors of a shipwreck find themselves on the island inhabited by Prospero, the rightful Duke of Milan, who's used his magic to bring them here and plans to regain his title. All manner of magic and confusion ensues. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Storyteller by Tony Best |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One 'character' is the voice of a station announcer. The other characters take on multiple roles. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Stage adaptation of one of Saki's subversive stories. Single set - largely a few benches. |
Synopsis | On a railway journey, three children are being disruptive. Their aunt tries to settle them with a moralistic story, but this fails to do the trick, whereas a fellow traveller captivates them with a story in which a good girl is by virtue of being good, caught and devoured by a wolf. (In this adaptation, the writer takes an even more subversive interpretation of 'devoured', though a milder ending is also offered!) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Summer In The Park by Louise Wade |
Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 33 minutes. [Estimated!] |
Music | None. |
Style | A collection of three short plays, each set on the same park bench. |
Synopsis | Three short plays connected by the location: a bench in a park overlooking a lake, and a recurring theme: the unreliability of first impressions. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Talky Bits by TLC Creative |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed! |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain. |
Synopsis | Ten comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves. Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tap Tap by Bill Tordoff |
Roles | Minimum Male roles = 6. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 28. No chorus. The characters are a mix of adults and children, either to be played by that mix or by children. Whilst there are 28 (gender-specific) named parts, these could be cut down by reassigning lines amongst the 'oldies' and 'kids' groups. |
Run Time | Around 45 minutes. [Estimated!] |
Music | Sheet music for one song (new lyrics, familiar tune!) is provided with the Producer's Copy of the script. |
Style | Play for kids with music (one song). Single set - a Youth Hostel common room (and since Youth Hostels come in a variety of shapes, this gives a lot of freedom!) |
Synopsis | A group of school children and their teachers find themselves in a Youth Hostel without beds due to a booking error. Is their fundraising trip finished before it begins? Luckily, sharing space with a group of old folks leads to more than just community spirit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Tempest by Geoff Bamber |
Roles | Minimum Male roles = 9. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. The characters preserve Shakespeare's original, which means that the Naples court is all male. It need not be cast that way. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A play originally written by William Shakespeare and completely altered by Geoff Bamber. (This version is in modern, humorous. English. It extends the story back in time to avoid the long exposition speeches of Shakespeare's second act!) |
Synopsis | Prospero, Duke of Milan and part-time magician, is tricked into undertaking a hazardous sea journey by his treacherous brother, Antonio, who promptly takes over the duchy when Prospero is conveniently shipwrecked in a great storm. Prospero, along with his daughter, Miranda, survives the wreck and finds himself on a desert island. From there he uses his magic powers to gain revenge on Antonio and Alonso, King of Naples, who is unwittingly supporting Antonio under the influence of his own unscrupulous brother, Sebastian. With the principals all gathered on the same island, Prospero sets out to divide and conquer, a task somewhat hindered by the presence of a range of bizarre and possibly deranged supporting characters. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Thirty Minute Twelfth Night by Shakespeare, abridged Bill Tordoff |
Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'Twelfth Night', with the original text cut down to around 40 minutes (despite the title!) (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | A comedy of mistaken identity, as the shipwrecked Viola poses as a page boy at the court of the Duke of Orsino, where she falls for the Duke, whilst Olivia, the object of the Duke's affections, is smitten with the handsome page boy! All ends happily, but only after a great deal of confusion, and the arrival of Viola's lost twin brother. An introduction to Shakespeare for primary schools. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Thirty-Minute Taming of the Shrew by Shakespeare, abridged Bill Tordoff |
Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'The Taming of the Shrew', with the original text of two hours and more cut down to 30 minutes. (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | A lord wishes his daughters to be married. Bianca is young and beautiful and already has many suitors, but Katherina is strong-willed, hot-tempered and uncontrollable. Their father decrees that Bianca may only take a husband once Katherina is married. Lucentio and his friend Petruchio arrive, and Petruchio is convinced to marry Katherina for her money to allow Lucentio to wed Bianca. However, Lucentio finds his marriage to Bianca is not as idyllic as he would like, whilst Petruchio bends the shrew-like Katherina to his will. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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