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Blood by Nettie Baskcomb Brown
Original production won the Best Youth, Best Dramatic Endeavour, Best Youth Actor awards at the Harold Joliffe One Act Play Festival, 2013 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 15. Chorus. Flexible numbers provided by a chorus of clots! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A highly original one-act play for kids, tackling a serious subject through comedy and delivering a lot of educational material about the body's circulatory system.
[Revised 2021] |
| Synopsis | Follow Porphy and Alpha, two young blood cells, who have to learn to deal with all that the human body throws at them. With the help of their family of red blood cells, a team of platelets known as the Clots and two pugilistic white cells, Luke and O'Cyte, these youngsters experience fry ups, a gym workout, a night on the town resulting in traumatic injury and a holiday in the sun! |
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| Click here to read the script or Click here for more details. |
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| The Bourbons and Other Crackers by Sue Gordon |
| Roles | Minimum Male roles = 11. Minimum Female roles = 6. Minimum total with doubling = 17. Minimum total without doubling = 38. No chorus. Characters are mainly adults, intended to be played by children. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A rolling series of humorous sketches - no specific set requirements, simple props (give or take Bonny Prince Charlie's boat). |
| Synopsis | A complete history of monarchy, in entirely the wrong order and with all the boring bits left out. King Alfred does a turn as a TV chef, Mary Queen of Scots does porridge, Elizabeth goes shopping, Henry V takes a holiday, Tutenkhamen gets a visit from the architects and Ethelred never quite makes it. |
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| Bradley No Mates by Linda Stephenson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 24. Chorus. Written to be performed with four groups of three narrators. The chorus is non-speaking but interacts with the action. The adult roles might be played by adults or children. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for a school company on the theme of bullying. Multiple locations but little or nothing needed in the way of set. |
| Synopsis | Bradley is at a new school and having trouble fitting in. Worse, the school bully, who's reputed to carry a knife, has got it in for him. But Bradley has found he can visit the past, and the village school that was knocked down years ago. Maybe his trips there can help him in the present. |
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| The Butterfly Lovers by Stefan Allan and Gill Baxter |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 19. Chorus. Flexible chorus numbers possible. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A re-telling of an old Chinese folk tale, in many scenes, but with simple set requirements. |
| Synopsis | As the only daughter of a family in need of Imperial favour, Ying has no choice about marrying Prince Wencai. But the unexpected death of her father puts her brother in charge of the family, and she can travel to school instead, meeting a new love. This is an adaptation of an old Chinese folk tale, dating back to at least the Tang Dynasty. It balances the traditional tale with an engaging style of dramatization. |
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Bye Baby Bunting by Mark Green
Winner of best original play at the Greater Manchester Drama Federation one-act play festival 2015. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Characers' ages range from 7 - 13. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | A historical drama for children set in a collapsed mineshaft. |
| Synopsis | In January 1839, seven children are working underground in the Lovers Bridge Colliery number four mine when they are trapped by a tunnel collapse. They stoically comfort each other in their fear as they wait for rescue which becomes less and less likely as time passes. |
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| Awards | Click here to see the awards won by (productions of) this script. |
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| Bygone Pastures by S. J. Edwards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 9. Minimum total with doubling = 21. Minimum total without doubling = 29. No chorus. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act, humorous play suitable for 9-12 year olds. 4 minimal sets. |
| Synopsis | Bygone Pastures is an old folks’ home in financial trouble. The owners have gone bankrupt, and the administrator needs half a million to keep it going. The movie star who’s moved in next door won’t help, but maybe her painting will... |
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Camelot - The Knights of the Square Table by Richard Coleman
Performance by Hyde Little Theatre won the Greater Manchester Youth One Act Festival, 2014 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 19. No chorus. Characters include various knights (one of whom is definitely female, and others who could well be) and a dragon. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A comic compilation of Camelot characters in a rhyming romp round the realm. |
| Synopsis | Camelot is under attack from the Black Knight - not only that, there's the dietary requirements of a dragon to take into consideration. |
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| Captain Bluebeard's Monkey by David Pemberton |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 16. Chorus. Chorus size very flexible, at the Producer's discretion |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A one act piratical fantasy comedy. |
| Synopsis | The eponymous monkey uses his guile to thwart the late Captain Bluebeard's swashbuckling crew in their attempts to discover Bluebeard's treasure - which is not what it first appears to be. |
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| Caradog And The Celts by Penny Burns |
| Roles | Minimum Male roles = 17. Minimum Female roles = 3. Minimum total with doubling = 21. Minimum total without doubling = 45. Chorus. Very flexible numbers, with groups of Celts and Romans of various occupations, and opportunites for singers and dancers. The roles are a mixture of adults and children, but inteded to be played by children. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Keyboard and Vocal scores (with added percussion) for seven songs and one instrumental are provided with the Producer's Copy of the script. |
| Style | One-act Musical Drama for schools (fitting with the Key Stage 2 History topic on Roman Britain). |
| Synopsis | Following the Roman invasion of Britain in 43 AD, the Celtic resistance was led by Caradog (called Caratacus by the Romans). The play dramatises the life of the Celts on what is now the Welsh border and the battle for the hill fort of Caer Caradog. (We are also taken to Rome for a meeting with the Emperor Clau-Clau-Claudius.) |
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| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** Soundtrack CD - vocal performances of songs from the show
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| Castle Royal by Bill Tordoff |
| Roles | Minimum Male roles = 14. Minimum Female roles = 14. Minimum total with doubling = 28. Minimum total without doubling = 28. No chorus. There is flexibility to assign the parts amongst a greater or lesser number of actors. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for kids. Simple sets (two scenes, but using the same set furniture). Mainly simple props (though the King and Queen ride a tandem!) |
| Synopsis | The worlds smallest country advertises for a royal family - then have to deal with the results when ridiculous rules get in the way of common sense. |
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