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| The Smell of Dirt by Henry P. Gravelle |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with no set necessary. |
| Synopsis | The friends of a recently released thief confront him for their share of a heist gone bad. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Some People by Robert Scott |
| Roles | Minimum Male roles = 6. Minimum Female roles = 10. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy thriller. Single (hotel lobby) set, made complicated by the presence of a functioning lift (or, at least, a functioning set of lift doors). Contains mild swearing (and eccentricity). |
| Synopsis | Things are busy enough at the Lucky Star Hotel, what with the lift being almost as unpredictable as the guests and staff, but now there are two jewel thieves returning to claim the loot they buried years before... under the kitchen floor! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Spy With A View by Robert Scott
The Maidenhead Drama Guild (UK) won Best Comedy and came 2nd in the Open Class at the Maidenhead Drama Festival. (2019) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Paulo is written male but could be reassigned. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy thriller with a single hotel room set.. Contains mild swearing. |
| Synopsis | David and Vicky are on holiday, but the weather has trapped them in their hotel room. The monotony is broken by the delivery of a mysterious briefcase, with a recording that self-destructs! Where's the real spy? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The Statement by David Morris |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A tense one act thriller with a single (balcony flat) set |
| Synopsis | James' opening monologue sets the scene for a tragic event - his girlfriend's daughter's death, and her Detective Inspector mother's reaction to it... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Terrorist by Graham Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Action-packed thriller. Single set. Contains mild swearing and the aggressive use of a firearm! |
| Synopsis | Living a quiet life as a Hotel Manager, David's violent past comes back to haunt him when a guest recognises him. Getting rid of the troublesome man is just the beginning of his troubles, as the man's wife and David's own daughter dig into the mystery disappearance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Throw of the Dice by Ben Alexander |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 8. No chorus. One male character is voice-only and more suited to being pre-recorded than performed live. The hospital staff (surgeon, nurse and duty manager) are written female but could be either. |
| Run Time | Around 104 minutes. [Estimated!] |
| Music | 7 songs are suggested, to be played (but not performed by cast) at specified points in the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full-length thriller on a single (hospital waiting room) set. |
| Synopsis | Henry, whose father is close to death, and Judy, whose husband has been seriously injured, meet for the first time one evening in a waiting room of a private hospital. During the course of a long night, they get to know each other sufficiently for Henry to be able to help Judy when her husband's two brothers arrive the following morning to intimidate her into signing away her rights to her husband's wealth. However, Henry has a hidden agenda. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Towser's Table by Pete Benson |
| Roles | Minimum Male roles = 14. Minimum Female roles = 7. Minimum total with doubling = 21. Minimum total without doubling = 34. No chorus. A mixture of aduts, teenagers and a couple of slightly younger children. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy, structurally in one act, but with a run time that puts it into our full-length category. The author has combined satire, farce and affecting pathos to great effect. |
| Synopsis | A murder investigation with a difference sees Private Investigator Jack Doyle using narration and flashbacks in his quest to identify the perpetrator. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Underground by Jon Boustead
Production by Tykes won Best Youth Production (Teignmouth Drama Festival, 2017) |
| Roles | Minimum Male roles = 3. Minimum Female roles = 11. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. All cast should be of same or similar age. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller for youth theatre, with a single - crashed Tube train carriage - setting. |
| Synopsis | A group of youth-age children on a school outing are left to fend for themselves, as they find themselves trapped in a crashed tube train and their teachers are nowhere to be found. They all have to deal with the horror in their own way and they take the plot along through intermittent narration and action. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| We Are The Cure by Trevor Suthers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length dystopian thriller with a single (schoolroom) setting. Ideal for youth theatre. |
| Synopsis | A group of teenagers, subjects of a genetic experiment raised to believe they possess a cure for the plague that is raging through global society, escape from their compound during a cataclysmic flood. They come upon a ruined school and are amazed to find two normal children sheltering there. As surviving staff from the compound seek them out, they help each other in their desperate situation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Welcome to Paradise Road by Brian Coyle
Best Script in Festival - Page to Stage Theatre Festival, Liverpool (2016) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 58 minutes. [Estimated!] |
| Music | None. |
| Style | A satirical thriller with a set alternating between an office and a living room. |
| Synopsis | In a society where nothing is private and no one knows who to trust, a woman’s partner has disappeared. She is visiting her neighbour, head of the local Neighbourhood Watch, to find out if she’s heard anything about his disappearance. Will her neighbour help her or is this the person she should be most afraid of? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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