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| Macbeth [a 60-minute abridgement] by Shakespeare abridged by Dwayne Lawler |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Macbeth', with the original text of around three hours cut down to 60 minutes.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Witches, prophesies, murders, battles and ghosts. Shakespeare's Macbeth compressed to the compass of a small cast. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mary Anning: Lost in Time by Peter John Cooper |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | Historical drama. Structurally in two acts, but on the boundary between one-act and two-act length.
Dorset rocks. |
| Synopsis | Nineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Merchant of Venice [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Every word is Shakespeare's, but the cast list has been reduced, with four minor characters and all servants/court officials removed.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Bassanio needs money so that he can court the noble lady Portia. He goes to his friend Antonio, who helps negotiate a loan from the moneylender Shylock. If the money is not repaid, Shylock will demand a pound of Antonio's flesh. This leads to a court case with an unexpected judge.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Murder at Dress Rehearsal by Paul Mathews |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play - about a play within a play, on a single stage set. |
| Synopsis | This plays on the known eccentricities of local theatre. Real life drama is causing tension on and offstage at the dress rehearsal for 'Ich Liebe Dich', the wartime play. But worse is to come, when someone switches the blank ammunition for live and the leading man dies on stage - for real! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Nanny State by Nigel Holloway |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 22. No chorus. Several of the characters appear only in voice-over. A 'doubling list' is included in the Producer's Copy of the script. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A complex and challenging, but performable one-act play, with a subject that is both controversial and compelling. Split-stage set. Includes mild swearing |
| Synopsis | When Bernard dies, his wife discovers he's been writing a political blog that has galvanised the country. She steps into his shoes, fights a campaign and becomes Prime Minister. But the cost is high for saving the country.
A hard-hitting political play, posing the question 'Could the Grey vote really change the world?' However, when it comes down to it, the play is not about how to right the wrongs of governing the country, it's about one woman's blindness to the people closest to her, about losing sight of the things that really matter in life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Necessity Of Atheism by Seán Lang |
| Roles | Minimum Male roles = 6. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A one act historical play |
| Synopsis | Oxford, 1811. Amidst harsh laws restricting the freedom of the press, Percy Bysshe Shelley, a rather unorthodox, flamboyant undergraduate, publishes a short pamphlet called The Necessity of Atheism. The Master of his college is inclined to dismiss it as a bit of undergraduate exuberance but Lord Eldon, Lord Chancellor of England and old member of the college, takes a much more serious view. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Nothing Old Nothing New by Anne Graham |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A farce with a single-setting - set over two acts, though could be performed in one. Some strong language |
| Synopsis | Valerie is dead but unable to leave her house, now occupied by her son and his wife Zoe - the cause of her fury and her enforced sit-in. Her grandson arrives to find his mother making plans for his sister’s wedding. When the bride and groom and his father arrive for the weekend along with the groom’s psychic mother, scandalous revelations lead to the wedding plans being blown apart and a ruined weekend, although chaotic events lead to Valerie’s happy release. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Pilate's Wife by Julia Lee Dean |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. No formal chorus, but there is an off-stage crowd shouting - either live or recorded. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Easter play (from an unusual perspective), of one-act length but structured in three acts. Three locations, which could be formed as one simple composite set. |
| Synopsis | The story of Easter week told from the point of view of Pontius Pilate's household. (Mary Magdalene is presented as Pilate's mistress, allowing three very different interpretations of the events as they unfold.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Pilgrim's Progress by Christopher Morgan
Best Seller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 54. No chorus. Whilst there are fifty-four named roles, with a minimum of around ten, the author believes the optimal cast to be around twenty-two. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Allegorical play, with minimal set requirements and reasonably simple props. |
| Synopsis | A stage adaptation of John Bunyan's allegorical story ('The Pilgrim's Progress from This World to That Which Is to Come', written in 1678) - the journey of Christian, a pilgrim, through the trials of Earth to the destination of Heaven. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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