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| The Strictly Talent Factory by David Pemberton |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 19. Minimum total without doubling = 29. Chorus. Intended for a youth theatre group, but could well be performed by adults or a company of mixed ages. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | The script suggests 10 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Comedy play with (suggested) songs. In length it's on the boundary between a one-act play and a full-length play (it could occupy a full evening or be paired with a shorter piece). Structurally in two acts. |
| Synopsis | A musical play with energy, fizz, music and dance. In a world dominated by television talent competitions two families with great ambition battle it out for the ultimate prize of celebrity. The Lemons and the Greens continue a long-running feud with each other on to a TV talent show. With an astute use of Shakespearian themes and quotations ('the perfect antidote to all this madness') along with imaginative settings and flashbacks we are taken on a modern journey with a wry and satirical comment on reality television and the culture of celebrity. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Tale Of A Nail - A Musical Play by Nicholas Richards |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 37. Minimum total without doubling = 38. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | Sheet music for four original songs (and two original pieces of music) is provided with the producer's copy of this script. |
| Style | A play (with music) for children featuring the human immune system - as an injured man imagines what is happening inside his body. |
| Synopsis | When Mr Gauche accidentally hammers a nail through his thumb, he only wants medical help from the Doctor, but he gets a thorough lesson in the body's defence mechanisms anyway. A version without any music is available here. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Talking in the Library by Jackie Carreira |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 86 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with a single (library) setting. |
| Synopsis | The disparate group of regulars at the library along with the librarian and his assistant discover things about each other, and perhaps more importantly themselves and their relationships, over the course of a few weeks. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tea With Mrs Pankhurst by Ruth Urquhart & James Douglas |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 19. No chorus. The minimum with doubling omits two non-speaking waitresses and has two actors playing the female principals and two playing the rest (both male and female roles). |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play, designed to be played without a formal set. |
| Synopsis | The stories of Emmeline Pankhurst and Selina Cooper are compared in an attempt to judge who gave most to the cause of votes for women. The story is told in flashback, with minimal sets and audience interaction, mostly in the cake-eating sense. An educational journey through the history of British Women's Suffrage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
| Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Terror of the Crown by C.J. Jenkins |
| Roles | Minimum Male roles = 11. Minimum Female roles = 1. Minimum total with doubling = 13. Minimum total without doubling = 24. Chorus. Very flexible casting, with 13 principals who could play all the roles, but with minor roles and opportunities for chorus action. Male-heavy, as demanded by the story, but with a song for 'the women of Israel'. |
| Run Time | Around 77 minutes. [Estimated!] |
| Music | The producer's copy of the script comes with a score for the song sung by 'the women of Israel' in three versions - solo/unison, duet and quartet. The script also suggests an optional dance with percussive accompaniment. |
| Style | Dramatised biblical epic. |
| Synopsis | Framed by the story of two scribes, master and apprentice, faithfully copying out sacred texts, the tale of King Saul and his fall from Grace is told. His pride and love of kingly power prove to be his undoing. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A set of MP3 files with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Thar's Gold in Them Hills by Gerald P. Murphy |
| Roles | Minimum Male roles = 6. Minimum Female roles = 10. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. Characters are adults plus one child (to be played either by teenagers or a mixture of adults and one or more children). Whilst there isn't a chorus specified, there is scope for extras. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | The clash of innocence and villainy and the 19th century setting bring this close to melodrama, from where it is diverted by a large volume of preposterous jokes! Single (California gold rush saloon) setting. Simple props include a cougar's ear! |
| Synopsis | Howard Huff and Betty Bristle are the villainous owners of the Shotgun Saloon in Sonora, California. Their ambition is to get rich fleecing the miners in the late days of the California gold rush, but it doesn't seem to be working. Into the bar walk Mary Ann and her daughter, Goldie, looking for work. Goldie immediately displays comic talent and the villains set about disposing of the mother and exploiting the innocent Goldie… Corny jokes and a happy ending ensue! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's One in Every Show by George Douglas Lee |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. One of the characters is a young boy, the rest are adults (mainly over-the-top thespians). |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy, set around a struggling (American) theatre company. Contains very minor swearing. |
| Synopsis | For years Sheldon has held together his troupe of actors with the promise of a show, but now his accountant has signed up a producer, who's found a backer and they're going to have to perform at last. But the script is bad - worse than the actors themselves - and they have the Sponsor's idiot son involved too... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Theseus - The Journey To Athens by Nicholas Richards |
| Roles | Minimum Male roles = 17. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 24. Chorus. Additional chorus members could be included. |
| Run Time | Around 72 minutes. [Estimated!] This allows for including the song |
| Music | One song with score provided with the Producer's copy of the script |
| Style | A one act play for a class-sized cast, with an optional finishing song. |
| Synopsis | A fun presentation of an early episode in the life of a hero, Theseus.
It could be used as the first part of a double bill with 'Theseus - The Maze and the Minotaur'. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| Click here to read the script or Click here for more details. |
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| Theseus - The Maze and the Minotaur by Nicholas Richards |
| Roles | Minimum Male roles = 19. Minimum Female roles = 11. Minimum total with doubling = 25. Minimum total without doubling = 33. No chorus. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | The scores for one optional song and one musical piece are included with the Producer's copy of the script. |
| Style | A full length play for schools or youth theatre. |
| Synopsis | After only a couple of months in Athens, Theseus discovers that children are being sent in tribute to King Minos of Crete, and fed to his monstrous Minotaur. Joining the children, Theseus is determined to destroy the beast and end the tribute.
This is the second half of the Theseus legend, and so might form a double bill with 'Theseus - The Journey To Athens' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
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| Click here to read the script or Click here for more details. |
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