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| Dracula - The Final Countdown by Geoff Bamber |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 35. Chorus. Very flexible cast, with a mixture of speaking and non-speaking parts, opportunities for doubling and opportunities for changing the gender of some of the characters. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A comic and melodramatic retelling of Bram Stoker's story as a full-length play for kids. Sets can be relatively simple, but a fair number of props are required - coffins, that sort of thing. |
| Synopsis | Solicitor Jonathan Harker finds himself despatched to Transylvania to sort out a property deal for a mysterious Dr. Acula. On arrival, Harker realises that that he has been the victim of a misprint, but he is so charmed by his welcome that he fails to realise that he has become something of a prisoner. Harker's plight is made more acute by the attentions of the Brides of Dracula, a voracious trio, who appear to have less than honourable intentions. With the improbable assistance of Dracula's servant, Igoretta, Harker escapes and returns to England, where, shortly afterwards, his fiancé finds herself in the company of a mysterious foreign gentleman. Little does she realise what is at stake... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Drama Club Must Die! by Gerald P. Murphy |
| Roles | Minimum Male roles = 6. Minimum Female roles = 13. Minimum total with doubling = 26. Minimum total without doubling = 35. No chorus. Characters are a mix of adults and children, but all could be played by children. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | Complete set of original lyrics and musical arrangements based on traditional tunes supplied with the Producer's Copy of the script. |
| Style | Musical play set in an American High School (but could be played by younger children). Simple sets. |
| Synopsis | The High School budget needs to be cut. The drama club is under threat from the unsympathetic principal. Can the Drama Club save themselves by creating a production of The Wizard of Oz from scratch? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Emma by Jane Austen dramatised by Michael Baulch |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 150 minutes. [Estimated!] A slick production should be able to reduce this considerably! |
| Music | None. |
| Style | Full-length period drama. Three locations created by simple variations on a single physical set. |
| Synopsis | Dramatization of Jane Austen's work, capturing the essence of the period as we see Emma's intriguing matchmaking unfold and her own marital future fulfilled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emporium - The Story of the Store by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 9. No chorus. A crowd of indeterminate number enters towards the end of the final act. (The minimum is one, which is small, as crowds go, but in this case feasible!) |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play (in three acts). Single set. A combination of the five short plays of the Emporium series. |
| Synopsis | In a strange retail outlet (no matter what the problem, our happy smiling staff are always here to blame the customer!) romance blossoms between one of the staff and a policeman brought-in to investigate a break-in. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Esther by Richard Cowling
Best Seller |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 22. Minimum total without doubling = 32. Chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | The producer's copy of the script comes with piano and vocal scores for 16 songs, one instrumental and 15 scene-change pieces. (A conductors score and band parts are available as an optional extra.) |
| Style | Full-length Musical based on the biblical story of Esther. Designed as a school musical, could equally well be done by an adult or mixed company. |
| Synopsis | King Xerxes of Persia maries Esther, a Jewish orphan who has been brought up by her uncle, Mordecai. Haman, the chief minister of Xerxes court insists that everyone bow down to him. When Mordecai refuses to do so, Haman flies into a rage and plans to kill Mordecai, and all the Jewish people in the kingdom. Mordecai calls upon Esther for help, but this means she must confront the mighty Xerxes... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** Soundtrack CD - vocal performances of songs from the show
** Backing CD with instrumental version of the 16 songs and 16 musical interludes (including scene changes) for the musical Esther by Richard Cowling.
** Vocal tracks for the 16 songs (with 16 musical interludes) from the musical Esther by Richard Cowling. (Vocals by Leanne Cooper and Richard Cowling.)
** Conductor's score and band parts (keyboard, trumpet, trombone, woodwind, bass, etc.) for the songs and incidental music (32 pieces) from the musical Esther by Richard Cowling.
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| Click here to read the script or Click here for more details. |
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| Extended Relations by Eric Scott |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Characters ages are especially relevant. |
| Run Time | Around 127 minutes. [Estimated!] |
| Music | None. |
| Style | A farce-style comedy, in two acts, with a single set. |
| Synopsis | Hillary has tracked down her birth Mother and has arranged a meeting - after six months of phone calls. Unfortunately for her, her adoptive Mother doesn't take the hint and comes round to visit on the same day. It doesn't help matters when her newly-discovered birth Dad drops by too! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Eye of the Pharaoh by Roger Hurn |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 22. Minimum total without doubling = 24. No chorus. Most of the characters are not gender-specific. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A light and fun Egyptian romp for a school or youth theatre company. |
| Synopsis | The Eye of the Pharaoh is a jewel of immense power that ensures the continued reign of Ramenha. His Uncle Ahketnan doesn't want that reign to continue - he wants to be pharaoh, and recruits Salen to help him steal the jewel. But Salen uses it to raise a demon... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Fairies at the Bottom of the Garden by Kieron Toner |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. Ravenscar (one of two fictional characters) is written male but could be played female. |
| Run Time | Around 94 minutes. [Estimated!] |
| Music | None. |
| Style | Dramatisation of the true story of the Cottingley fairies. |
| Synopsis | Elsie Wright and Frances Griffiths, now elderly ladies, recount to two investigators the events that took place in Cottingley in 1917, when as young girls they took photographs of fairies. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Fairy Tale Adventure by Sophia Holder
Best Seller |
| Roles | Minimum Male roles = 3. Minimum Female roles = 13. Minimum total with doubling = 16. Minimum total without doubling = 36. No chorus. Written to be performed by a mixture of (7 to 14) adults and (9 to 22) children. Could be done by a competent kids' group! |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Family show, an alternative to British Pantomime, including some similar elements such as audience interaction. (Either a long one-act play, or a short two-act!) |
| Synopsis | The Wicked Witch has changed the endings to all the Fairy Tales so that evil will triumph, and she's kidnapped the Fairy Queen to stop her reversing the spell. Only Hansel, Gretel and Paddy the Gingerbread man can save the tales. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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