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| Gallinsay by Nicholas Richards |
| Roles | Minimum Male roles = 10. Minimum Female roles = 4. Minimum total with doubling = 21. Minimum total without doubling = 26. No chorus. Characters of a variety of ages (from 10 to 100) |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | The producer's copy of the script includes sheet music for three original songs. |
| Style | A full-length comedy, presented in three acts. Multiple locations, but mainly requiring imagination. |
| Synopsis | St John Carrington de Beauville has forgotten to book his family's summer holiday, a problem solved when an elderly aunt grants St John's children ownership of the remote Scottish island of Gallinsay. But Gallinsay is already inhabited by a commune of enterprising young pioneers who wish to escape modern society, and is also the target of a pair of geologists hired to search for gold. |
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| Ghosts at the Grange by Karen Doling |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 12. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 85 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comic whodunnit. Single living room set. |
| Synopsis | Lancelot and Guinevere are dead, and have been for a hundred years. They haunt Arthur's house, and are the only witnesses to his murder. But how can they let his family know who committed the foul deed? |
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| The Ghosts of Halfway House by Richard James |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | A halloween play (or a play for whenever else you want a ghost story). Single set. Contains very mild swearing. |
| Synopsis | Simon and Daphne are looking around an old house, with Simon's mother in tow. They aren't convinced it's the right place for them, and Mr Godley the estate agent is unusual. They're in for quite an evening before they find out more than they expected about the house and its history. |
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| The Ghosts of Marvin Grange by Richard Coleman |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 20. No chorus. Principal characters nominally adults but could be played by teenagers or a mixed group of teenagers and adults. |
| Run Time | Around 65 minutes. [Estimated!] (Dependent on how much the actors ham up the death scene!) |
| Music | None. |
| Style | Melodrama - with the playwright's tongue firmly in his cheek. (Two acts - but relatively short.) |
| Synopsis | Christopher Sinclair receives a strange summons and returns to Marvin Grange, a remote estate on a lonely moor to unravel the mystery of a haunting that is driving his cousin's wife mad... |
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| Goldilocks, Three Bears and the Detectives by Juliet Devon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Family show, structurally in two acts, but run-time on the boundary between one-act and full-length. (Could be expanded with songs at the discretion of the production.) |
| Synopsis | The Bears' cottage has been ransacked - porridge eaten, furniture wrecked, and someone looking a lot like Goldilocks fled the scene when the Bears came home. But is she really guilty? The detectives investigate. |
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| Good King Richard by Ian Dixon Potter |
| Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 108 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length historical drama. (A lot of locations, but simple to stage, give or take the butt of malmsey.) |
| Synopsis | After the death of Edward IV, his brother Richard becomes Lord Protector and then King. Richard III is determined to be a good king, but his principles - out of place in the royal court - enable challengers including Henry Tudor to plot his downfall. A counterpoint to Shakespeare's Richard III (which was based on the testimony of Richard's greatest enemy), Good King Richard sets the historical record straight. |
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| The Goodbridge Million by Sean Dooley |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy play. One set, split between three distinct locations. |
| Synopsis | After years of discussing the same old issues, the Parish Council of the hamlet of Goodbridge is suddenly handed the amazing news that a foreign benefactor is giving the village one million pounds to be spent according to the villagers' wishes. The councillors organise a meeting to allow people to present their proposals for the use of the money, then hold a secret ballot. Unfortunately for the nursery extension, the sports hall and the new church organ, there is an outbreak of tactical voting and the proposal to host the world Scrabble championships wins by a landslide. But never mind all that - the important questions are: can Will ever pluck up enough courage to ask Persephone to marry him? and how will his school play turn out? |
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| The Great Fairytale Robbery by Eric Scott, John Regan & Deanne Scott |
| Roles | Minimum Male roles = 6. Minimum Female roles = 9. Minimum total with doubling = 20. Minimum total without doubling = 22. Chorus. Doubling of one character is essential in this script. |
| Run Time | Around 94 minutes. [Estimated!] Songs included in the timing for this production. |
| Music | Piano and vocal scores for ten songs are provided with the Producer's copy of the script. |
| Style | A musical play for children with multiple settings. |
| Synopsis | The evil head of a TV studio is determined to rid the world of children's books, and sets out to destroy fairytale and pantomime characters. Poor Cinderella is first on her list, but many familiar characters are also affected. Scarecrow Oz, magically given a brain, devises a cunning rescue plan... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| A Grimm Night for Hans Christian Andersen (Musical) by Sue Gordon |
| Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 23. Minimum total without doubling = 40. No chorus. Lots of speaking parts, but few characters per scene so easy to structure small rehearsals. Whilst it does not require a chorus, there is scope for extra characters in a few of the scenes. Some of the characters sing! |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Sheet music for 7 original songs and 3 pieces of incidental music is provided with the producer's copy of the script. |
| Style | Comic retelling of fairytales as a musical play. Many scenes, but using the same few pieces of 'set furniture'. Simple props. |
| Synopsis | Hans Christian Andersen gets an unexpected visit from the Brothers Grimm - who seem to be upset over the matter of stealing story lines. A competition ensues, with characters from Andersen and Grimm stories taking the stage - often in unexpected ways. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** Backing tracks of songs from the show as MP3 files
** Soundtrack CD - vocal performances of songs from the show
** Backing tracks for the 7 songs and 3 pieces of incidental music for 'A Grimm Night for Hans Christian Andersen'
** Vocal tracks for the 7 songs (plus 3 pieces of incidental music) for 'A Grimm Night for Hans Christian Andersen' by Sue Gordon. (Arrangements by Dave Watt, vocals by Leanne Cooper and, Jonny & Stuart Ardern. Recordings by Dave Watt and Jonny Ardern.)
** A zip file of backing tracks for the 7 songs and 3 pieces of incidental music for 'A Grimm Night for Hans Christian Andersen'
** Vocal tracks for the 7 songs (plus 3 pieces of incidental music) for 'A Grimm Night for Hans Christian Andersen' by Sue Gordon. (Arrangements by Dave Watt, vocals by Leanne Cooper and, Jonny & Stuart Ardern. Recordings by Dave Watt and Jonny Ardern.)
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