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| Dracula - The Final Countdown by Geoff Bamber |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 35. Chorus. Very flexible cast, with a mixture of speaking and non-speaking parts, opportunities for doubling and opportunities for changing the gender of some of the characters. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A comic and melodramatic retelling of Bram Stoker's story as a full-length play for kids. Sets can be relatively simple, but a fair number of props are required - coffins, that sort of thing. |
| Synopsis | Solicitor Jonathan Harker finds himself despatched to Transylvania to sort out a property deal for a mysterious Dr. Acula. On arrival, Harker realises that that he has been the victim of a misprint, but he is so charmed by his welcome that he fails to realise that he has become something of a prisoner. Harker's plight is made more acute by the attentions of the Brides of Dracula, a voracious trio, who appear to have less than honourable intentions. With the improbable assistance of Dracula's servant, Igoretta, Harker escapes and returns to England, where, shortly afterwards, his fiancé finds herself in the company of a mysterious foreign gentleman. Little does she realise what is at stake... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Drunkula by Archie Wilson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (gothic dining room) set. |
| Synopsis | Drunkula and his weird manservant, Schnapps, meet their match when two young English ladies show their drinking mettle - with disastrous results for the drunken vampire. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Faith, Hope and Bertha by Daniel Krueger |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 13. Minimum total without doubling = 14. Chorus. One character is deliberately doubled - playing twin brothers. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A temperance melodrama, complete with perfect heroines, mustachioed villain, exaggerated gestures and asides. A lot of comedy to be had from playing this straight! Two interior sets, plus front-of-cloth scenes. |
| Synopsis | In the wilds of the Yukon, dastardly villain, Ivan Mean has designs on the estate of Ben Upright - and he intends to get them by hook or by crook. That includes marrying Ben's daughter, Faith - but first he has to be rid of her intended, Ernest Noble... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Frankenstein Abridged by Richard Brinsley Peake ab. Dwayne Lawler |
| Roles | Minimum Male roles = 7. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 39 minutes. [Estimated!] |
| Music | None. |
| Style | One-act melodrama. Multiple scenes, but mainly indicative settings. |
| Synopsis | 'Presumption, or, The Fate of Frankenstein' by Richard Brinsley Peake was the first adaptation for the stage of Mary Shelley's pioneering novel. Dwayne Lawler's abridgement has reduced it from 5 acts to 1 and cut the characters from more than 15 to a total of 9.
Peake's adaptation tweaked the novel's plot (not least to reduce locations), nevertheless, the core plot of Frankenstein is here and cutting it down hasn't removed the impact or significantly dampened the themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Frankenstein's Last Chance by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy melodrama, for school-age, youth performers. |
| Synopsis | Having given up his medical practice to concentrate on his career as an inventor, Doctor Viktor Frankenstein desperately needs to raise funds to pay for his daughter's forthcoming wedding. Success at the annual Mad Scientists' Convention would be well-rewarded, but Viktor finds himself singularly short of inspiration until... No, that would be absurd - wouldn't it? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Ghosts of Marvin Grange by Richard Coleman |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 20. No chorus. Principal characters nominally adults but could be played by teenagers or a mixed group of teenagers and adults. |
| Run Time | Around 65 minutes. [Estimated!] (Dependent on how much the actors ham up the death scene!) |
| Music | None. |
| Style | Melodrama - with the playwright's tongue firmly in his cheek. (Two acts - but relatively short.) |
| Synopsis | Christopher Sinclair receives a strange summons and returns to Marvin Grange, a remote estate on a lonely moor to unravel the mystery of a haunting that is driving his cousin's wife mad... |
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| Click here to read the script or Click here for more details. |
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| The Golden Galah by Richard Ward |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Narrator or Chairperson may be M or F. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy melodrama, which could be incorporated into a Music Hall, with a single - wooden shack - set. |
| Synopsis | As the Hardcastles struggle to make a living on their infertile land in 1930s Australia, daughter Chastity reveals she is not chaste, she is expecting! Her young man, Clarence, is unaware of this and, having failed to convince her father of his worth, sets off to seek gold. Chastity's stepmother, plots a marriage between Chastity and the wealthy Roland. Will Clarence find gold and return in the nick of time? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Horrible Hot Air Homicide by Ray Lawrence |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. Melodrama stereotypes - the wicked squire, the poor-but-hones heroine, etc. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | One song (to a G&S tune). Sheet music for the song is supplied with the producer's copy of the script. |
| Style | Melodrama set in Victorian times, but written in the 21st century - so something of a send-up of the format. |
| Synopsis | 'The Horrible Hot Air Homicide' - or 'Fanny's Free For All' sees the wicked squire in pursuit of the poor heroine, Fanny. However, in fear that his past misdeeds will be exposed, the squire frames his rival for murder, then furnishes a fiendish fate for Fanny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Horrific Case Of Mr Valdemar by Edgar Allen Poe - adapted Richard Layton |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 98 minutes. [Estimated!] |
| Music | None. |
| Style | Melodramatic full-length play. Multiple settings, but one main set with minor locations playable front-of-curtain or picked-out by lighting. |
| Synopsis | In this dramatization of an Edgar Allan Poe short story, the eerie atmosphere surrounding Mr Valdemar's death and the intervention of the questionable hypnotist Rufus is authentically and chillingly brought to life. |
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| The Jewel Of Lamjung by Richard Ward |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. The cast includes an on-stage sound effects operator. |
| Run Time | Around 15 minutes. [Estimated!] (The original production, including dances, ran to 22 minutes.) |
| Music | None. |
| Style | Short Melodrama with a comedic edge (suitable for inclusion in a Music Hall evening, for example). Set in a regimental ballroom in Nepal in the days of British rule. |
| Synopsis | The Music Hall Chairman takes us through the action as smooth blackguard Major Ponsonby adds the theft of the jewel of Lamjung to his many dastardly misdemeanours. He is finally undone as, following his daughter's lead, the Colonel sees that Ponsonby really is a cad, a bounder and a disgrace to the regiment. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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