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| Diary Of A Squirrel Hunter by Peter Stallard |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 2. No chorus. This is essentially a monologue. The final offstage police voice could easily be a recording. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short sketch - exhibiting the comedy of bad taste! Minimal set (could easily be done as a front-of-curtain piece). |
| Synopsis | Dave the squirrel hunter has passed on, under unusual circumstances, but his friend Tyrone has found Dave's diary and is taking the opportunity to read out some of the final passages at the funeral. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Diary of Adam and Eve by Mark Twain adapted by Gerald P. Murphy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. The voice of God could be a recording (as it so often is). |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play (adapted from 'The Diary of Adam Eve' by Mark Twain. Single set (representing the Garden of Eden and what lay beyond), simple props. |
| Synopsis | Alone in the Garden of Eden, Adam is bored and, though he doesn't realise it, lonely. Of course, God has the answer... What follows is told through the diaries of those involved. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Dieter's Lament by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | One song suggestion is included with this script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy monologue, with a simple (table and chair) setting. |
| Synopsis | Amy has been dieting on and off for almost a year but has only lost a few pounds. As she attempts to eat yet another salad, she relates her difficulties. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Digging Deep by Frank Gibbons |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Characters' playing ages are 86 (Robert) and 77 (Elaine), but they are sprightly (not to say frisky). |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch set on a bench in a graveyard. Contains a naughty word.
From the Laughter Lines collection. |
| Synopsis | A chance meeting in a graveyard could well lead on to other things (starting with a cup of tea and a slice of apple pie). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Digging up the Past by Chris Hicks |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A ten-minute dramatic monologue (featuring some black comedy). |
| Synopsis | A building site manager struggles to cope when a body is discovered on school playing fields. When archaeologists turn up to excavate a Saxon burial ground, things take a turn for the worse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Diplomatic Relations by Geoff Bamber |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 125 minutes. [Estimated!] |
| Music | None. |
| Style | Hilarious full-length farce. Single set (an ambassador's office) with plenty of places to hide!
First published in October 2009, revised October 2015. |
| Synopsis | Ambassador Miranda Carruthers is trying to make the most of her posting to a South American backwater. She's expecting a diplomatic bigwig to celebrate the 150th anniversary of one of the local revolutions (the glorious one, apparently), but what she actually gets is a Foreign Office investigator, looking for evidence of extravagance. That and a corrupt politician trying to elope with her husband, the local security chief chasing her around her office and one of her husband's previous liaisons turning-up with less clothing than is customary in diplomatic circles. And, oh yes, there's a German anarchist on the loose. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dipsticks by Frank Gibbons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch, in a garage-workshop setting. |
| Synopsis | A vehicle needs repairing - but is that all that needs fixing? ...with a bit of banter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Director by Jos Biggs |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act, light comedy, with a potentially collapsible set. |
| Synopsis | A harassed director is trying to get an advert filmed, but the actors have left. Using handy studio audience members, the roles are filled and directions given to bring off the perfect take. Except the cameraman wasn't filming that one! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Director's Cut by Chris de Vere Hunt |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (village hall) setting. |
| Synopsis | The Huntscombe Valley Players are rather unambitious and set in their ways when it comes to choosing the annual village play. Newcomer Tristram, an experienced director, puts the cat amongst the pigeons - with his bold attempts to break the mould. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Disguise by David Pemberton |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A modern comedic reworking of The Siena Academy's Gl'ingannati, the principal source for Shakespeare's Twelfth Night. |
| Synopsis | A twin sister disguises herself as a boy to get the man she loves, only to find that when her identical twin brother shows up, he is mistaken for her. This play forms act two of Amore by the same author. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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