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The House Amongst The Willows by Robert Scott
Best Seller |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length thriller with a single set |
| Synopsis | Fletcher is taking his fiancée Sadie to stay with the parents of his previous wife. He hasn't really told her much about his last wife's death, and Sadie makes several startling discoveries before she learns the truth about everything. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hump Day by Alan Hargreaves |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy with a single (office) setting. |
| Synopsis | Unassuming accountant Barry is auditing the books at the inefficiently run Reynolds head office when he discovers that new recruit Andy plots to take over the firm. But Barry has nefarious ideas of his own. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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I Am Hamlet by Richard James
Performance by Portree ADS won the Wakefield Quaich Award for Presentation, Scottish One Act Festival, 2011, Performance by Thurso Players won Best Play award at the SCDA One Act Play Festival, 2012, |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy thriller, single bare-stage set. |
| Synopsis | An amateur actor auditions for the lead role in a local production of Hamlet. There is some fun to be had as the director puts him through his acting paces, but slowly we learn that the actor has more in common with the Prince of Denmark than meets the eye... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Exclusions | Due to professional performances, this script is not available for performance in the following places at the following times:-
Spain, ES from the first day of January, 2022 to the last day of January, 2026
50 mile radius of Mexico City, MX from the first day of April, 2024 to the last day of October, 2024 |
| Click here to read the script or Click here for more details. |
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In Her Defence by Helen Saxton
Original Playwriting Award at the Oxfordshire Drama Network Festival in June 2022. Production by The Compton Players |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. Seven on-stage characters and an off-stage male voice. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | One-act thriller with several nods to Agatha Christie. Single set, split between a courtroom and a living room. |
| Synopsis | London, 1947. Philip Mackinder is dead. His wife, Catherine, has just shot him. As a court hears the evidence leading up to the murder, we witness the disintegration of the couple's marriage and discover the real, surprising truth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In One Form Or Another by Nikki Pontin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Doctor could be played by m or f. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | The Producer's copy includes 3 suggested pieces of music, to add atmosphere for this play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act gothic thriller, with a living room setting and specific lighting effects. |
| Synopsis | Helen, Edward and their son have moved into their dream home, unaware of its history and the events which took place there. With increasing horror, Jacob seems to be the catalyst for the terrifying happenings - which Helen in particular is unable to deal with. As she relates events to a psychiatrist, the full horror becomes apparent. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Invisible Man by Rob Johnston |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. 8 characters, designed to be split between 3 actors. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length gothic thriller, based on the novel by H. G. Wells, on a split stage. |
| Synopsis | When a new guest arrives at the Coach and Horses in swathed in bandages, he is assumed to be a shy accident victim. But Griffin is in fact a scientist who has turned himself invisible, and not yet found the antidote. His condition, and the refusal of others to help, is destined to drive Griffin to violent madness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Kill-Joy by Mike Rouse
Partington Theatre Glossop 2018, Best Actress award, Rachael Hope, under original title of Mirror Image. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. In addition to the two on-stage characters, there is a radio announcer's voice at the start. This is likely to be a recording. |
| Run Time | Around 22 minutes. [Estimated!] First production timed at 27 minutes. |
| Music | None. |
| Style | One-act thriller. Single set (which may be very simple). Contains swearing and adult themes. |
| Synopsis | A man and a woman stumble into an alley behind a club. It’s clear what his intentions are, but she’s not going along with him. Not here, not now, not with a serial killer on the loose. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Kit Kat Man by James Addis |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | An efficient spy drama - like a compact Le Carré. Realistic dialogue leading to a surprising but well-planted twist.
Simple set - another chance to wheel-out the park bench. |
| Synopsis | Moscow, near the end of the Cold War. Paula Wilson seeks to coax the defector Gerald Soames back to Britain, ostensibly as a means of undermining the intelligence Soames has given to the Soviets. In reality, her motives are more sinister. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Legacy by Lee Stewart |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 99 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy thriller with two settings. |
| Synopsis | A dysfunctional family has arrived to hear the reading of Uncle John’s will disposing of his not insubstantial estate. Everyone is staggered by the provisos contained in the will but nevertheless decide to persevere. One of the family is determined to have it all and succeeds using shocking and nefarious means. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Long Game by Julie Wilson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Thriller, spread over a long timescale, but in a single set. |
| Synopsis | Marina seems very happy with the whirlwind romance and marriage to the much older Lawrence, but then she falls ill and her friends are concerned. Is Lawrence trying to drive them away? Is his stepson right about the death of his last wife? And ultimately, who is being conned by who? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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