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| Knock, Knock, Who's There? by Peter Harrison |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Offstage voices of one female laughing and multiple children, could be pre-recorded. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a living room setting. Originally published 2015, revised 2019. |
| Synopsis | Yvonne is desperate for the council to arrange a transfer for her and husband Dennis, from their high rise flat in Barbara Castle Towers to a lovely maisonette with gnomes in the garden... Her case may be enhanced when a TV crew arrive to investigate poltergeist activity in the flat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| L.A. Gendry And The Tomb Of Kalos by Geoff Bamber |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 18. No chorus. As written, there are four archaeologists and six villagers, but these numbers are flexible in either direction. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy adventure for kids. In theory, there are three locations, but these can be indicated by a minimum of furniture (or lack of furniture). |
| Synopsis | L.A. Gendry, all-action female adventurer, is enlisted to help Professor Polonius and his daughter excavate the recently discovered tomb of the little-known Egyptian King Kalos. The tomb's treasure is to be the centrepiece of a museum for the benefit of all. At least that is the Professor's plan. However the tomb is said to be cursed and criminal mastermind The Scar (incidentally L.A. Gendry's arch enemy) has other ideas. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Labour Pains by Rachael Ashworth |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (living room) set. |
| Synopsis | The high emotions surrounding the imminent arrival of Helen's first baby are made substantially worse by competing grandmothers to be, scatty Aunt Mel, the midwife, and a somewhat inept husband. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ladies by Scott Kingsnorth |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama |
| Synopsis | Elizabeth goes looking for Shelly, since the wedding they are both attending is winding down. Finding her in the Ladies', Elizabeth has trouble getting her friend out of the cubicle, only to find they're both locked in for the night. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ladies at the Seaside by Hilary Mackelden |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act drama on a simple set. Plenty of scope for the two actors to explore the emotional range. |
| Synopsis | Maureen and Dot meet on a trip to the Eastbourne seafront. Dot is being bullied and robbed by her daughter and son-in-law, and Maureen helps her build up the confidence to take back control of her life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Lady or the Tiger by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 15. Chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play adapted from Frank Stockton's short story. Simple props. |
| Synopsis | The Princess's lover is on trial for his life. She can save him from certain death, but would the alternative be worse? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Lambton Worm by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 19. Chorus. Very flexible casting. There is one narrator role, but this could be shared out. Equally, the chorus could be 'all the actors'. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | A 40-page musical score is included with the Producer's Copy of the script. |
| Style | Short musical retelling of an English folk tale. (The music plays throughout, even though some of the narration is spoken rather than sung.) No real set requirements, but the ideal performance would put some effort into creating a fearsome worm! |
| Synopsis | The tale of the wild worm of Wearside and its grisly end.
It should be emphasised that 'worm' is used in its old sense of 'serpent' - so this is a story of knights fighting dragons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** CD with backing track for the whole musical The Lambton Worm by Timothy Hallett and Nicholas Richards. Plus simple rehearsal tracks for each individual section (accompaniment on piano with vocal line played on another instrument.)
** Complete recording of The Lambton Worm by Timothy Hallett and Nicholas Richards including all songs and the spoken narration.
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| Click here to read the script or Click here for more details. |
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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Earl Grey by Susie Casson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act black comedy, told in vignettes and flashbacks.. |
| Synopsis | There's been an accident. A fatal accident. And now Dorothy wants her daughter, Lucy, to kill Mrs Butterworth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Gateway by Sarah Pemberton |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 25. Chorus. Roles are a mixture of children and adults, but all played by children. Two principal characters and three narrators, with a (flexible) company playing the rest of the roles. At times chorus members become parts of the set, including trees and a car. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Realism morphing into fantasy. Minimal set and props, with the company creating atmosphere and locations. Scope for improvisation, dance and creative chorus work. |
| Synopsis | Bullied Faith and newcomer Tom form a friendship which leads to adventure uncovering a shared past in a parallel world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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