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| Waiting for the Unicorns by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy, requiring little more than a clipboard, a large rock and two actors. (The two animals of every kind are optional.) |
| Synopsis | Noah seems very well organised. He's built the boat thing, all the animals are more or less in alphabetical order, and he's got a list. All that's missing are those infuriating unicorns. Fortunately, his wife has the good sense to grasp the concept of myth and legend. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Waiting for Twist Stiffly by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play which takes place on the set of a 1950s science fiction serial, but is really about actors and their relationship to their characters. |
| Synopsis | Filming of the 1950s adventure serial 'Twist Stiffly - Space adventurer' is being held up because the leading man is nowhere to be found. While the remaining cast members lounge around waiting for him to turn up, they discuss their roles in the drama and their dissatisfactions with the main man. Then they come up with a great way to fill their time until he arrives... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Walk on the Wild Side by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | A short monologue with minimal set requirements. |
| Synopsis | Mary is feeding the birds in the park and bemoaning the local council’s latest ruling, whilst contemplating her arthritic hip. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| War Prayer by Mark Twain adapted by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 9. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. No specific set requirements and only one prop (a rope). |
| Synopsis | Mark Twain was no pacifist, but here he brings an angel to explain to a congregation the difference between a just war and Jingoism. (Human frailty prevails.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Warm Crayons by Ashley Harris |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a simple set. |
| Synopsis | Mr Hughes doesn't have the greatest patience as a schoolteacher but he does love his job. A routine student prank seems to be the trigger for a vile and immoral act. Is Hughes innocent or has he been hiding his evil ways all along? Warm Crayons questions the way the world looks upon physical and sexual abuse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Warm, Hot, Getting Hotter by Lou Treleaven
Winner, Wimbledon Playfest 2014 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, with a strange restaurant setting. |
| Synopsis | It gradually becomes clear that the oddly decorated restaurant, the strange waiter, and the very hot food are not what they seem... Each of these diners has a past that they may really be regretting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Was Blind But Now I See by Howard Lipson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Short skit, telling and examining a well-known fable from a Christian perspective. No set requirements. |
| Synopsis | Five blind people encounter a curious object and work together to find out what it is, while a sighted pair react differently. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Watch This Space [Comedy Play] by Karrena Dewhurst |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One of the characters is the voice of the computer - conceivably recorded, but probably better live. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, set in space. (There is also a follow-up, 'Watch This Space Too', by Leo Finn, using the same characters.) |
| Synopsis | Rodney's just the cleaner on the spaceship, and he's the butt of everyone's jokes, even the shipboard computer. But when an Alien species threatens the ship, only Rodney's brain has the... spare capacity for telepathic communication. It's up to him to save the ship! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Watch This Space Too by Leo Finn |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. FRED is a computer (and therefore presumably, present in voice only.) |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy, set on the bridge of a spaceship. Uses (with permission) the characters from Karrena Dewhurst's 'Watch This Space' |
| Synopsis | The Captain, the Doctor, Number Two and FRED the computer helpt to bring Rodney the Cleaner 's Art of Air Guitar to an alien race. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Watch Your Back by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Barlow is a male voice on a telephone speaker and might be doubled (or, possibly, recorded). |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy. Single 1970s office set. |
| Synopsis | This takes us back to a typical typing pool in 1972, where lecherous Head of the Accounts Department, Mr.Crawley, known as Creepy Crawley to the girls in the office, rules the roost. Supervisor Marjorie is frustrated in her attempts to shelter her girls, Gill and Sally, from his sexist antics until newcomer Helen presents her with a delicious opportunity to make sure that Mr. Crawley gets his just desserts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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