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| Water Under The Bridge by Trevor Suthers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama play. |
| Synopsis | Louis and Tony meet unexpectedly after a long separation. Time has passed, but it soon becomes clear that not enough water has flowed under the bridge, and some memories are still sharp enough to cause pain. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Water's Edge by Michael Lill |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | A short two-handed play, single set. |
| Synopsis | Daniel is helping his wife to get to bed in her nursing home. She is suffering from early onset Alzheimer's disease and really doesn't remember him... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Way Off Course by Barry Lambert |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Dr Dorris Boffin talks a strange, clipped form of English. This is deliberate. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy/drama. Single set - a police operations room with a single entrance (which need not be a practical door). |
| Synopsis | Inspector Whalley and colleagues investigate the iniquities of a team-building course - and win the gratitude of the boss into the bargain.
'Way Off Course' is available with two other episodes in Inspector Whalley's Casebook - Volume 2. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Way To A Man's Heart by David Weir |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy for two actors. Some strong language. |
| Synopsis | Following a frosty breakup, Ellie and Andrew meet to divide their possessions. Among them - a winning lottery ticket. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We All Make Plans, Don't We? by George Freek |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short, one act farce, with a single (living room) setting. |
| Synopsis | Earl is devastated to learn that his very large investment in a financial scheme has been lost, when the scheme turns out to be a scam. His friend the vicar has also been swindled by the same scheme, in which he had invested the church funds. Earl's teenage daughter exacerbates Earl's distress with some news of her own involving the scheme's perpetrator. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Are Not Amused by Richard Morris |
| Roles | Minimum Male roles = 8. Minimum Female roles = 7. Minimum total with doubling = 15. Minimum total without doubling = 22. Chorus. The characters are a mix of adults and children, intended to be played by children. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | Lyrics to three songs (to traditional melodies) are embedded in the script Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Exploration of Victorian society in a mixture of verse and prose. |
| Synopsis | Museum exhibits come to life to explore aspects of Victorian society. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Have Character by Sherrill S. Cannon & Kerry E. Gallagher |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 26. No chorus. A narrator and (up to) 25 children. Since all the children's roles could be doubled, in theory it could be done by a cast of two, but in practice it is intended as a full-class piece. |
| Run Time | Around 25 minutes. [Estimated!] With songs, which may vary the length of performance. |
| Music | The producer's copy of the script includes suggestions for up to eight songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act performance piece for young children. |
| Synopsis | A rhyming exploration of well-known children's books, with simple parables drawn from the characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Have To Talk by Don Lowry |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. If the three scenes were to be played separately, the three couples could be played by the same pair of actors with changes of costume and style. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short play comprising three short sketches on one theme. Written to be played continuously, but the three could be spaced out through an evening of short pieces. No set, so could be played front-of-curtain. |
| Synopsis | Three relationships have reached the point where the couples need to talk. It's curtains for two pairs, but the third might just make it... even if it's for the strangest of reasons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Interrupt This Revolution by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch, set in the aftermath of a revolution. |
| Synopsis | The new president of Sovazni is preparing for his inaugural address to the people but it is time for him to hear a few home truths about the glorious revolution. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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We're All Dead by Jonathan Edgington
Selected for and performed (by Precipice Productions) at Stockwell Playhouse's 2019 One Act Playwriting Festival in London where it received a 'Highly Commended' award. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Two of the male characters should look alike. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act ghostly drama with multiple settings (arranged by the actors). With adult themes and strong language.
First published in 2013, revised edition published 2019. |
| Synopsis | With time shifting between the present day and 1973, Russ and Rachel experience life changing events brought about by Russ's encounter with his younger self. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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