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| The Last Earl Grey by Susie Casson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act black comedy, told in vignettes and flashbacks.. |
| Synopsis | There's been an accident. A fatal accident. And now Dorothy wants her daughter, Lucy, to kill Mrs Butterworth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Respects by Colin Calvert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act play in funereal black - so obviously a comedy! Single set (a funeral parlour), replete with coffin. |
| Synopsis | Henry Throgmorton (deceased) has decreed that a wake should be held in his honour at the funeral parlour. The guests, previously unknown to each other, are his wife and his two mistresses... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Woman Working by Michael Pearcy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act satirical comedy with a single (office) setting. Some strong language. |
| Synopsis | Robots, with government backing, have taken over almost every job previously done by humans. Masses are protesting. Desperate to save her job in an electronics factory, Barbara Wooley takes an aggressive stand at her local MP's surgery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Latin Fever by Terence Dale |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single domestic set, simple props. (Contains mild swearing.) |
| Synopsis | Surly and aggressive Bernard has to be levered out of his domestic rut by the persistence of his long-suffering but ever loving wife, who wields a crowbar in the unlikely shape of Stephen... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Leading Ladies - It's Behind You by Christina Simpkin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, set back-stage at a (British) pantomime. |
| Synopsis | Behind the scenes at the annual panto, two ladies compare notes on this production, other productions and other members of the cast, while various characters drift through on their way to the stage or the Green Room. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Learning to Like You by Robert Scott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy drama on a minimal living room set. |
| Synopsis | Amber has just moved in, so she pops round to introduce herself to her new neighbour, Jake. Jake’s not what she expected, and it takes the pair a number of visits and misunderstandings before they learn enough from each other to be friends. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Let Her Rip by Donna Brightwell |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. In addition to the eight characters there are three off-stage voices. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play set in the southern USA. Intended to be played with minimal sets. |
| Synopsis | Sixty-somethings behaving badly, when four ladies decide to have the wild time they've missed in the rest of their lives. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Letter to Santa by Sue Gordon
Best Seller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 15. Minimum total without doubling = 15. Chorus. Two of the characters are nominally adults. It is written so that the cast can be divided into two - a school class and Santa's elves. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | Sheet music for 5 original songs is provided with the producer's copy of the script. |
| Style | A light musical for young children. Basic sets. |
| Synopsis | A school class write Christmas letters to Santa, and we discover that they are dealt with by Mrs. Santa and a bunch of fractious elves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Like it or Not by George Freek |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy. Single set (hotel sitting room), which need not be elaborate. |
| Synopsis | A young playwright waits to meet the star who may produce his play, but his fiancée wants in on the act. More than that, her father has planned a meeting with the actress, and it turns out her mother is going to have her own surprising encounter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Little Acorns by Jenny Gilbert |
| Roles | Minimum Male roles = 3. Minimum Female roles = 13. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. All characters are adults with a mix of ages. The ages are suggested in the production notes, but there is a great deal of flexibility. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set. |
| Synopsis | Gentle comedy, set in a school staff room, where the staff try to work out their gripes, with a particular concern about one member of the school. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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