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| A Christmas Carol [Play for Schools] by Damian Woods |
| Roles | Minimum Male roles = 13. Minimum Female roles = 5. Minimum total with doubling = 30. Minimum total without doubling = 44. Chorus. Whilst some of the characters have specific ages, this is an indication for the purpose of costume and make-up rather than for casting! |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | The producer's copy of the script contains suggestions for the use of 7 carols. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act play for children, faithfully adapting the classic Dickens story. Simple sets (furniture) reconfigured between or during scenes. |
| Synopsis | On Christmas Eve 1843, the miserly Ebenezer Scrooge is visited by three ghosts, who help him see the error of his ways. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Christopher Columbus Was A Brat by Richard Gordon |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Characters comprise of a crusty old hobo and a teenage girl |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act fantasy with a hilltop setting. |
| Synopsis | CT is on her way to the other side of the mountain. Not to, really, but 'away from'. In her special quiet place she meets a strange man, dressed as a hobo who has some important things to tell her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Cinderella's Beanstalk by Richard Coleman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | Short rhyming pantomime mixing folk tales. |
| Synopsis | A wonderful rhyming collision of Jack and the Beanstalk and Cinderella, with an unexpected but happy ending for everyone except the no-so Charming Prince. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
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| Click here to read the script or Click here for more details. |
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Circus Daze by Robert J Withers
Performance by Lamlash Drama Club won the AK Wooley Cup (Best Overall Production) at the Isle of Arran Drama Association one-act festival 2024. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single domestic set. |
| Synopsis | Harry and Gabs' marriage has turned stale due to his reluctance to seek any excitement in life. When a circus arrives across the road, an unexpected house visit from a clown and ringmaster stirs things up. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Cissie Encountering The Gods by Sandra Horn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act monologue. |
| Synopsis | Cissie tells us of her life and her strange neighbour Thea. Thea and her daughter Cory have had a big effect on Cissie's life. They bring an interest beyond her brief and boring marriage and the prying eyes of her other neighbours, as well as a genuinely unexpected intimate encounter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Class by Michael Pearcy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy play with lots of action. |
| Synopsis | This play finds us at the church hall joining Melanie's self defence for ladies class. New member Wendy is a little apprehensive at first, but soon joins in with the other ladies as relationships develop and tensions appear, with Brian at the centre of the conflicts. His intriguing male presence at a class for ladies is gradually revealed as the class proceeds. Then, in an amusing and surprising final twist we find that Brian has other interests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Clause Fourteen by David Pollard |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a dressing room set. Part of the 'Illusion/Delusion' trio of plays, which can be bought separately or as a collection. |
| Synopsis | Aging actor Clifford finds himself in a hellish situation playing opposite his ex-wife Connie in a production which, against all probability, is a smash hit. He turns to his agent Katz to get him out of the show but he has signed an unbreakable contract and Katz is more interested in claiming his due. In the ensuing action, Clifford is made to face unpleasant truths about himself and his past relationships and to understand his position in a hell of his own creation. Think Dr Faustus! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Closure by Robert Scott
People's Choice Award by Manchester High School's Lancer Theatre Company, USA 2018 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play with a minimal set. |
| Synopsis | Luke's birthday party is a lonely affair - there's just him, until his ex-girlfriend Tanya walks in. She only meant to drop off his gift, but soon they're involved in a strenuous argument over closure and who gets it. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Cold Case by Barry Lambert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Written as 3M, 2F, but the waiter could easily become a waitress, with a few minor tweaks. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | Short, one-act comedy (with a crime drama lurking in the background). Single simple restaurant/bar setting. |
| Synopsis | Emma and Simon are celebrating their wedding anniversary in Tenerife when Emma recognises a man from a jewellery store robbery she investigated for the police thirty years ago. Tom was an employee at the store, but Emma always thought he knew more than he let on. She plucks up the courage to finally confront him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Collateral Damage by George J. Bryjak |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act-drama with a single setting of a car, which can be suggested and performed by the actors. Strong language, emotional adult content, US English. |
| Synopsis | A US Army captain returns from his second tour of duty in Afghanistan, and is met by his wife at the airport. During the drive home, the initial joy of this reunion is shattered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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