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| Hope - A Monologue by Frank Flynn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act monologue. Single outdoor set (which can be implied rather than fully built). Written in Canadian English. |
| Synopsis | Young mother Hope waits in the park for a meeting that will change her life. She tries to comfort her tiny baby, though she has no new clothes, nor food for her. A very emotive piece. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Horseplay by Graham Jones
The precursor full-length version of this play won the Drama Association of Wales playwriting competition in 1980. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Compelling one-act drama. Single set - just a committee room table and chairs. Contains adult themes. |
| Synopsis | After a post-match celebration, three rugby players are accused of raping a girl. Through the old boys' network, the matter is dropped, but the club barmaid won't let it rest. Thanks to her persistence, one of the other members starts to see things in a different light too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hot and Sweet by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single domestic set. |
| Synopsis | Janet is trying to persuade her mother Ivy, who is suffering from the first stages of Alzheimer's, to come and live with her. Janet's concerns are increased when she hears about a con man operating in the area. Ivy refuses to consider her daughter's request, stating that her late husband Harry will protect her. Janet responds by saying to her mother, 'He can’t look after you if he's not here'... but can he? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hotel Casablanca by S. J. Edwards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 9. Minimum total with doubling = 18. Minimum total without doubling = 20. No chorus. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | One song Is suggested in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act comedy on 4 minimal sets, suitable for youth theatre. |
| Synopsis | The Hotel Casablanca is unfortunately short on staff, just as Lady Chalfont arrives, trying to protect her necklace from a jewel thief. But will the thief be spotted in amongst the James Bond conventioneers and detective Sam Shovel? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Hound Of The Baskervilles by Richard Coleman |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. The hound might be live or a special effect. (One other essential role takes no part in the action, but definitely needs to be there!) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act rhyming humorous play, freely interpreting the original story. |
| Synopsis | A 'Pantocrime' in rhyming couplets, re-telling the story by Sir Arthur Conan Doyle, with comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Howard Does His Best by Geoff Parker |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. The 10 'soldiers' are gender non-specific. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy suitable for performance by teens and chldren. |
| Synopsis | At the school dance, Howard, egged on by Wayne and Dave, sets out to cross the dance floor to ask Chardonnay (the most beautiful girl in the school) for a dance, but on the way various bits of his body begin to let him down. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Humbug by Geoff Bamber |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 18. Chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Charles Dickens' A Christmas Carol presented as a short comedic play for kids. |
| Synopsis | When Jacob Marley dies he keeps his promise to come back and haunt his mean-spirited business partner, Ebenezer Scrooge. Scrooge has a particularly parsimonious attitude to Christmas and this reflects itself his treatment of his long-suffering employees, Bob and Molly Cratchit. In case Jacob's efforts to get Ebenezer to change his ways don't meet with success, he enlists the help of three ghostly friends. Will Christmas still be humbug or will Ebenezer see the light? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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I Believe In Angels by Tony Domaille
Octopus Youth. Bristol One Act Festival Best Youth Play award 1994. Runner up in the Five Counties One Act Festival 1994. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, suitable for youth theatre, with a single (garden of remembrance) setting. |
| Synopsis | A group of teenagers meet to have a séance and call up the spirit of Steve, their friend who has died. Between them they confront their grief, fear, and what they can and cannot believe. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I'm On A Train by Graham Jones |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A neat, simple monologue that could be comedy gold in the right hands. (Minimal set requirements.) |
| Synopsis | It's a tough day for businessman Tom Wright, as he races to Edinburgh in a last-ditch attempt to save his company. Sadly, things are not destined to go his way, and the phone calls he makes and receives on that journey reveal the scope of the disaster that unfolds. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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