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| A Stitch In Time by Mark Green |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a split (lounge and garden) set. |
| Synopsis | Young Alastair's dad has died, and his mum and granddad are bringing him up, and sister Holly too. Much to the family's disdain, Alastair, inspired by his late father, is convinced that he has invented a time machine. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Stop the Clocks by Keith Badham
Performance by Up-Stage Theatre Company won Most Theatrical Moment and the Audience Appreciation Award at the Bedfordshire One Act Play Festival, 2011. Royal Manor Theatre won the adjudicators award at the Dorset Drama League Festival, 2013 |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 88. No chorus. The fifteen scripts have casts ranging from two to sixteen, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is seven. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Fifteen short scripts:
Introduction (Nominally sixteen roles)
Death Of Innocence (Seven roles)
Back to school (Eight roles)
The Interview (Five roles)
Twins (Three roles)
And Lo (Seven roles)
Monster Mum (Two roles)
The Quest For Happiness (Six roles)
Punch and Judy (Three roles)
Knife Crime Horror (Two roles)
The Priory (Two roles)
We Three (Part One) (Six roles)
The Teachers Are Afraid... (Two roles)
We Three (Part Two) (Six roles)
Death (Thirteen roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Straight Play by Natalia Knowlton |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama in a single (simple) set. Contains adult themes. |
| Synopsis | In Colorado, 2003, newly married Kate joins a support group for married women, and finds it less than supportive. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Straight to the Top by Martin Sims |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The female role is voice only, |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy/drama in a single set which could be minimal. (The author makes staging suggestions in the Producer's Copy of the script.) |
| Synopsis | Joseph is on his way to the top of the building to end his unlucky life. Fortunately, Michael takes the same elevator, slowing the journey in time for Joseph to achieve a different perspective on life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Substitute by Duncan Battman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in the form of a monologue. Dramatic content, though the direct action is minimal. Contains strong language and adult themes. |
| Synopsis | A long but dramatic monologue delivered by Frank, an ex-footballer who is now confined to a wheelchair. As he packs up his room he relates the ups and downs of his life, right up to the startling conclusion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Summer In The Park by Louise Wade |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three short plays, each set on the same park bench. |
| Synopsis | Three short plays connected by the location: a bench in a park overlooking a lake, and a recurring theme: the unreliability of first impressions. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Swan Queen by Frank Canino |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 3. No chorus. There is one speaking voice, Lenore. She addresses the audience as a friend, but also addresses two other people (1M, 1F) who might appear on stage. There is also an option for a group of male dancers. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | Two pieces (associated with classical ballet) are suggested as accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Powerful, brilliantly-written one act play. Single set with simple furniture representing multiple locations. |
| Synopsis | A former Prima Ballerina navigates the final months of her life, balancing her health concerns with those of her stepson, an artist with AIDS. Despite some stark differences at first, the pair find common ground and become allies as they each cope with their diagnoses. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sweet Dreams by Peter Appleton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act twisted psychological drama, verging on the melodramatic. |
| Synopsis | Plagued by nightmares after a mysterious accident, Anne has trouble telling reality from her dreams. Is her fiancé alive or dead? Is her father helping her, or holding her prisoner? Can she even trust her oldest friend? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Switching Off by Ashley Harris |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are all 'middle-aged'. You'll have to make your own mind up as to what that means. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single living-room set. A great comedy set-up, with a fun dynamic between the three characters, and good twists and escalations that keep the plot moving quickly. |
| Synopsis | Yoga teacher Ruth is holding a lesson in her living room with client Emily. But Ruth's husband, Alistair, believes he has reserved the room so he can watch an important programme. It's a territorial battle, and Emily is caught in the crossfire. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tabbed by Bob Tucker |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy, set in the middle of a (disastrous) pantomime performance. |
| Synopsis | It's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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